Magazine

Our online content delivery system.

Back to the Grind: Why the Grindhouse Needs to Return… Now

There was a time when movies were more than just moving pictures, a time when special effect sequences were only apart of the maker’s imaginations and had not reached the confines of our own reality,… [more]

And His Name Is Scott: Why Scott Snyder’s Work Exemplifies Magnificent Superhero Storytelling

There are numerous writers whose talents have lead to tremendous careers in the comic industry. With the greats ranging for Moore to Morrison, Miller to Pope, and Rucka to Brubaker, the list goes on of… [more]

Send in the Slashers: Why the Assembly of Cinema’s Greatest Horror Icons Can Be a Successful Movie Franchise

There is nothing like a great crossover story, a time when creators bring icons together in a vicious battle to see which one emerges victorious. Recently, however, the concept has become more popularized, with the… [more]

Ranking Mission: Impossible – Rogue Nation‘s Action Scenes

So I saw Mission: Impossible – Rogue Nation fairly late into its theatrical run. It was a random choice based on what was playing at the time. I’d heard it was a fairly good action… [more]

“Being The Frightful Smile Of Their Creator…” – Grimoires and Ghoulish Acts in Providence #5

“Non-Euclidean calculus and quantum physics are enough to stretch any brain; and when one mixes them with folklore, and tries to trace a strange background of multi-dimensional reality behind the ghoulish hints of the Gothic… [more]

The Boy: A Portrait of a Movie Slasher

The Boy is another movie on my shortlist of new releases I felt like I should catch up on. An indie coming of age story that is actually a monstrous-themed serial killer’s coming of age… [more]

The Nightmare and Sleep Paralysis

This year, for the first time ever, I suffered a bout of sleep paralysis. It wasn’t anything particularly unique, as far as these attacks go, but that didn’t matter in the moment. In the moment,… [more]

Believe the Aquaman: Why the King of Atlantis is the Real Deal

If you consider yourself familiar with comic’s most popular super heroes than you are capable of identifying those that are considered the best: Superman, Spider-Man, Batman, Iron Man, Wonder Woman, The Flash, Green Lantern, and… [more]

Project Greenlight Episode 5: Adapt or Call Cut

The Leisure Class officially moves into production on this week’s episode of Project Greenlight, and writer/director Jason Mann continues to act as an uncompromising and determined filmmaker, even as the realities of time and budget… [more]

Robert Moses Peaslee and Robert Weiner on The Joker: A Serious Study of the Clown Prince of Crime

Robert Weiner has either authored or co-edited close to a dozen academic text examining comic books and popular culture.  He is also the Popular Culture and Performing Arts Librarian for Texas Tech University Libraries.  With… [more]

“Welcome to My House … And leave something of the happiness you bring”: Orson Welles’s Dracula

The other day I saw an amusing social media post from Stephen Bissette, the legendary Swamp Thing penciller.  He was mocking a recent online article that promised a list of 11 little known horror films… [more]

8House Yorris: Un-Bound Imagination

8House brings us yet another new world this week in the form of 8House: Yorris. For those keeping track, we’ve already seen Arclight (still a personal favourite) and Kiem, which featured some very arresting and… [more]

Southern Bastards #11: Serpents

Each new issue of Southern Bastards seems to get deeper, more thoughtful and more artful in its rendering of the American south. The book has always had a wonderful ability to capture the Southern Gothic… [more]

Plutona #2: In the Woods

Plutona continues to excel at assuming the point of view of children in a complex and difficult world. One of the great things about that particular point of view, especially with regards to this kind… [more]

Smorgasbord #28: Sandcastles in the Sand

Tom and Shawn discuss recent news out of Baltimore, Mark Millar’s third run at playing Simon Cowell, the redemption of Chip Zdarsky, Genndy Tartakovsky’s CAGE!, Ta-Nehisi Coates’s upcoming run on Black Panther (and why people… [more]

Project Greenlight Episode Four: So Long, Pete Jones

“There’s an art to compromise,” says Pete Jones in the latest episode of Pete Jones States the Bloody Obvious, aka Project Greenlight. This week’s episode is all about how the filmmakers and producers populating that… [more]

Wizard World Comic Con–Nashville Notebook: Day Two

I just got insulted by Howard Chaykin. That’s like the comic book world’s equivalent of getting roasted by Don Rickles. [more]

The Strain and Vampire Culture

Vampires have changed tremendously over the years. They used to be representative of the bestial side of human nature, thoughtless creatures of pure Id, no better than animals themselves. Over time, however, they have evolved… [more]

Forrest Helvie on The Adventures of Whiz Bang

Sequart: Forrest, I understand you’re running a Kickstarter campaign for an emerging-reader comic book? Forrest Helvie: I am! It’s for my book The Adventures of Whiz Bang: The Boy Robot, and it’s running now through… [more]

Rasputin #9: The Big Payback

It’s interesting, and a little jarring, that in issue #9 of Rasputin, having spent a great deal of time in the “present”, in America, we are thrust back into the thickets of Russian folklore and… [more]

Project Greenlight Episode 3: Stay in Your Lane

“Movies are all about power,” Chris Moore said way back in Project Greenlight season one. That was fifteen years ago, when the issue of shooting on film vs digital wasn’t even on the table, and… [more]

Wizard World Comic Con—Nashville Notebook: Day One

Howard Chaykin may have sounded like he was auditioning for Glengarry Glen Ross, but his was the most enjoyable panel I’ve attended in three years of convention-going. [more]

Portraits in Alienated British You, Circa 1989-90, Part Thirteen : All’s Well That Ends — Well?

With the shit having already hit the fan, the eleventh and final chapter of Garth Ennis and Warren Pleece’s True Faith plays out more like an epilogue than anything else — but it’s a highly… [more]

Project Greenlight Shines So Far in Season 4

It’s been a decade since season three of Project Greenlight and viewers could be forgiven for giving up the series for dead. As we’ve written here, the series and the concept seems to come from… [more]

Portraits In Alienated British Youth Circa 1989-90, Part Twelve : Where It All Hits The Fan

There’s no doubt about it — chapter ten of Garth Ennis and Warren Pleece’s True Faith, entitled “False Gods,” is an absolute barn-burner. Or church-burner, I guess, as the case may be. The authorities —… [more]