Logan Ludwig

The League of Assassins has loomed large over the third season of Arrow. Malcolm’s attempts to escape the death sentence he’s been saddled with has been the motivating factor for much of the season’s overarching… [more]

Episodes that delve into the past are a dangerous business. They tread the same fraught ground that prequels tread, trying to find enough compelling, new story to justify an examination of a time that the… [more]

After last week’s episode pulled most of the disparate pieces of Arrow’s third season into a more cohesive whole, this week’s installment takes advantage of that newfound clarity to plunge ahead, turning out an action… [more]

The third season of Arrow has struggled to figure out exactly what it is. This season has introduced plot after plot and has found itself lacking coherence due to this fact. There have been standout… [more]

This week’s installment of Arrow goes all in on the series’ romantic couplings and complications and it’s readily apparent from the word go that this is not particularly fruitful ground for the show. Many of… [more]

For a good long while Arrow’s second season finale looked like it was going to be just about perfect. After last week’s installment that both set that pace and upped the stakes for this final… [more]

“Streets of Fire” is the kind of breathless climax that TV is uniquely capable of. It’s nearly forty-five minutes of pure, unbridled forward momentum. Recklessly charging forward while paying off nearly an entire season’s worth… [more]

“City of Blood” has a mostly unenviable task, effectively setting the stage for the finale of a twenty-three episode season of television. It’s mostly devoid of action, and generally a talky episode of Arrow, which… [more]

For a good portion of “Seeing Red” I was convinced that the variety and complexities of this season’s plotlines might have finally gotten the better of the writers. Roy’s trail of carnage simply wasn’t illuminating… [more]

“The Man Under the Hood” starts out strong, showcasing Team Arrow demolishing a research division of Queen Consolidated with copious amounts of C4 to prevent Isabelle and Slade from utilizing the research to further their… [more]

In just about any story, the hero has to be laid low before the climax. Doing so serves multiple purposes, it showcases that the hero is fallible and must struggle greatly to succeed while also… [more]

I didn’t take any notes while watching “Birds of Prey”.  Not to say I’m a prolific transcriber of material when I’m watching TV, but generally when I’m watching something I intend to write about later… [more]

I was excited when it was announced that Michael Jai White had been cast in a villainous role for Arrow’s second season. He’s a magnetic performer who hasn’t really had anywhere near the opportunities to… [more]

“Blind Spot” is the kind of episode that was needed after last week’s subpar outing. It’s not an all-time classic episode, but it’s a good, solid hour of TV that hinges on a strong central… [more]

Arrow’s second season has been marked primarily by the series delivering on the promise of its first season. The show started out unevenly, alternating episodes that showcased the potential of the concept and characters with… [more]