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Tsuburaya and Honda’s Last Charge: Destroy All Monsters
There was another big number coming down Toho’s pipe shortly after they’d celebrated their anniversary. Their next kaiju film would be the twentieth they had directed, something worthy of celebration. However the celebration was to… [more]
A Voice Like a Bell: Godzilla as a Hero and the Arrival of King Ghidorah
It was not long before awful Yamatano-orochi came. Soon, it noticed the smell of sake and struck its eight heads into each gate. It drank up the sake and began to sleep with a incredibly loud snore. Susanoo-no-mikoto cut its necks and tails one by one with his sword..The water color of the Hi-no-kawa river turned to red with its blood. [more]
The Onslaught of the Mushrooms: Toho’s Serious and Silly Sixties
“I felt that I was now seeing plain, whereas ordinary vision gives us an imperfect view; I was seeing the archetypes, the Platonic ideas, that underlie the imperfect images of everyday life. The thought crossed my mind: could the divine mushrooms be the secret that lay behind the ancient Mysteries?” [more]
Such Beautiful Miniatures: Yasuyuki Inoue and a New Age for Toho
Earth Defence Force is the start of an important transition in Ishirō Honda and Eiji Tsuburaya’s techniques, a transition that wouldn’t reach its peak until a new decade arrived. The bright and colourful space film required Eiji Tsuburaya to focus more on optical effects then he had to date. [more]