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	<title>Sequart Research &#38; Literacy Organization &#187; Forrest Helvie</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Of Cats and Lizards:  An Interview with Jason Brubaker—Creator of reMIND</title>
		<link>http://sequart.org/magazine/20122/of-cats-and-lizards-an-interview-with-jason-brubaker%e2%80%94creator-of-remind/</link>
		<comments>http://sequart.org/magazine/20122/of-cats-and-lizards-an-interview-with-jason-brubaker%e2%80%94creator-of-remind/#comments</comments>
		<pubDate>Sat, 23 Mar 2013 11:00:23 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jason Brubaker]]></category>
		<category><![CDATA[reMind]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=20122</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/reMIND-cover-150x150.jpg" alt="Of Cats and Lizards:  An Interview with Jason Brubaker—Creator of &lt;i&gt;reMIND&lt;/i&gt;" title="Of Cats and Lizards:  An Interview with Jason Brubaker—Creator of &lt;i&gt;reMIND&lt;/i&gt;" style="float:left;" />Comixology has defined part of its business model by giving away first issues of on-going series and samples of other comics as a means of catching reader’s attention and hooking their interest for the long-term.&#8230; <a href="http://sequart.org/magazine/20122/of-cats-and-lizards-an-interview-with-jason-brubaker%e2%80%94creator-of-remind/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>What Makes for a Great Joker Story: In Defense of Batman #17</title>
		<link>http://sequart.org/magazine/19328/what-makes-for-a-great-joker-story-in-defense-of-batman-17/</link>
		<comments>http://sequart.org/magazine/19328/what-makes-for-a-great-joker-story-in-defense-of-batman-17/#comments</comments>
		<pubDate>Sun, 24 Feb 2013 13:00:21 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Greg Capullo]]></category>
		<category><![CDATA[Scott Snyder]]></category>
		<category><![CDATA[the Joker]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=19328</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Mad-Love1-e1361669159901-150x150.png" alt="What Makes for a Great Joker Story: In Defense of &lt;i&gt;Batman&lt;/i&gt; #17" title="What Makes for a Great Joker Story: In Defense of &lt;i&gt;Batman&lt;/i&gt; #17" style="float:left;" />Recently, I wrote a review on Scott Snyder and Greg Capullo’s Batman #17—the much-anticipated finale for the “Death of the Family” story arc, and I gave it a solid “10.” (I’ll spare the details as&#8230; <a href="http://sequart.org/magazine/19328/what-makes-for-a-great-joker-story-in-defense-of-batman-17/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Andrew Goletz from Gray Havens Comics &#8211; You Are Not Alone Anthology</title>
		<link>http://sequart.org/magazine/18855/interview-with-andrew-goletz-from-gray-havens-comics-you-are-not-alone-anthology/</link>
		<comments>http://sequart.org/magazine/18855/interview-with-andrew-goletz-from-gray-havens-comics-you-are-not-alone-anthology/#comments</comments>
		<pubDate>Sun, 10 Feb 2013 12:00:55 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Kickstarter]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=18855</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/You-Are-Not-Alone-Cover-1-150x150.jpg" alt="Interview with Andrew Goletz from Gray Havens Comics &#8211; &lt;i&gt;You Are Not Alone&lt;/i&gt; Anthology" title="Interview with Andrew Goletz from Gray Havens Comics &#8211; &lt;i&gt;You Are Not Alone&lt;/i&gt; Anthology" style="float:left;" />Gray Haven Comics is an independent comic publisher making a name for itself with its on-going anthology, The Gathering.  Recently, publisher Andrew Goletz began mobilizing fellow comics creators—both pros and up-and-coming writers and artists—to contribute&#8230; <a href="http://sequart.org/magazine/18855/interview-with-andrew-goletz-from-gray-havens-comics-you-are-not-alone-anthology/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Jim Valentino&#8217;s Shadowhawk: Year One</title>
		<link>http://sequart.org/magazine/18417/jim-valentino-shadowhawk-year-one/</link>
		<comments>http://sequart.org/magazine/18417/jim-valentino-shadowhawk-year-one/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 12:00:20 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Jim Valentino]]></category>
		<category><![CDATA[Shadowhawk]]></category>
		<category><![CDATA[Sharpening the Image]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=18417</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ShadowHawk-Cover-150x150.jpg" alt="Jim Valentino&#8217;s &lt;i&gt;Shadowhawk&lt;/i&gt;: Year One" title="Jim Valentino&#8217;s &lt;i&gt;Shadowhawk&lt;/i&gt;: Year One" style="float:left;" />At the time of Image Comics’ inception, Jim Valentino openly admitted to being the least known founder.  Valentino stated in the first edition of the trade paperback of Shadowhawk vol. 1 that “I was pretty&#8230; <a href="http://sequart.org/magazine/18417/jim-valentino-shadowhawk-year-one/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Review of Darkness Outside of the Night</title>
		<link>http://sequart.org/magazine/18651/a-review-of-darkness-outside-of-the-night/</link>
		<comments>http://sequart.org/magazine/18651/a-review-of-darkness-outside-of-the-night/#comments</comments>
		<pubDate>Sun, 03 Feb 2013 12:00:52 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Darkness Outside of the Night]]></category>
		<category><![CDATA[Duncan Jebsen]]></category>
		<category><![CDATA[Xie Peng]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=18651</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Darkness-Night-Cover-150x150.jpg" alt="A Review of &lt;i&gt;Darkness Outside of the Night&lt;/i&gt;" title="A Review of &lt;i&gt;Darkness Outside of the Night&lt;/i&gt;" style="float:left;" />I am fortunate to have enjoyed the opportunity to write for Sequart over the past year and a half.  From one-shot reviews, articles and editorials, to beginning to write selections for my serialized critical book,&#8230; <a href="http://sequart.org/magazine/18651/a-review-of-darkness-outside-of-the-night/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>A Review of Star Wars #1, &#8220;In the Shadow of Yavin&#8221;</title>
		<link>http://sequart.org/magazine/18477/a-review-of-star-wars-1-in-the-shadow-of-yavin/</link>
		<comments>http://sequart.org/magazine/18477/a-review-of-star-wars-1-in-the-shadow-of-yavin/#comments</comments>
		<pubDate>Thu, 17 Jan 2013 12:00:42 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Brian Wood]]></category>
		<category><![CDATA[Star Wars]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=18477</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Star-Wars-1-2013-150x150.jpg" alt="A Review of &lt;i&gt;Star Wars&lt;/i&gt; #1, &#8220;In the Shadow of Yavin&#8221;" title="A Review of &lt;i&gt;Star Wars&lt;/i&gt; #1, &#8220;In the Shadow of Yavin&#8221;" style="float:left;" />Script: Brian Wood. Art: Carlos D’Anda. Colors: Gabe Eltaeb. Lettering: Michael Heisler. Cover Art: Alex Ross. Brian Wood is a creator who, over the past few years, has built an impressive resume working in the realm of both creator-owned&#8230; <a href="http://sequart.org/magazine/18477/a-review-of-star-wars-1-in-the-shadow-of-yavin/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Sharpening the Image: Rob Liefeld&#8217;s Youngblood, the Man and the Comic that Started It All (Part 4)</title>
		<link>http://sequart.org/magazine/17336/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-4/</link>
		<comments>http://sequart.org/magazine/17336/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-4/#comments</comments>
		<pubDate>Wed, 09 Jan 2013 12:00:47 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Comics in Focus]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Rob Liefeld]]></category>
		<category><![CDATA[Sharpening the Image]]></category>
		<category><![CDATA[Youngblood]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Youngblood-1-150x150.jpg" alt="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 4)" title="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 4)" style="float:left;" />Part Four: Final Thoughts Youngblood delivered a hyper-realistic experience of explosions and Adonis and Venus like superhumans in extreme conditions making use of extreme powers. Unfortunately, the super-team failed to deliver a truly super-heroic experience.&#8230; <a href="http://sequart.org/magazine/17336/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-4/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sharpening the Image: Rob Liefeld&#8217;s Youngblood, the Man and the Comic that Started It All (Part 3)</title>
		<link>http://sequart.org/magazine/17335/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-3/</link>
		<comments>http://sequart.org/magazine/17335/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-3/#comments</comments>
		<pubDate>Wed, 26 Dec 2012 12:00:17 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Comics in Focus]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Rob Liefeld]]></category>
		<category><![CDATA[Sharpening the Image]]></category>
		<category><![CDATA[Youngblood]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Saddams-Head-Blown-Up-150x150.png" alt="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 3)" title="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 3)" style="float:left;" />Part Three: When Pictures Aren’t Worth a Thousand Words Originally, I intended to split my focus on the interior art from the storyline itself. When considering the nature of the medium and the relationship of&#8230; <a href="http://sequart.org/magazine/17335/sharpening-the-image-rob-liefelds-youngblood-the-man-and-the-comic-that-started-it-all-part-3/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sharpening the Image: Rob Liefeld&#8217;s Youngblood, the Man and the Comic that Started It All (Part 2)</title>
		<link>http://sequart.org/magazine/15371/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-2/</link>
		<comments>http://sequart.org/magazine/15371/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-2/#comments</comments>
		<pubDate>Thu, 20 Sep 2012 11:00:10 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Comics in Focus]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Prophet]]></category>
		<category><![CDATA[Rob Liefeld]]></category>
		<category><![CDATA[Sharpening the Image]]></category>
		<category><![CDATA[Youngblood]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=15371</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-Youngblood-1-Cover-150x150.jpg" alt="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 2)" title="Sharpening the Image: Rob Liefeld&#8217;s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started It All (Part 2)" style="float:left;" />While one certainly should not judge a book by its cover, applying this adage to the cover of a comic book can be problematic. For many readers, it is the cover art that captures the&#8230; <a href="http://sequart.org/magazine/15371/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-2/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Sharpening the Image: Rob Liefield’s Youngblood, the Man and the Comic that Started it All</title>
		<link>http://sequart.org/magazine/15349/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-1/</link>
		<comments>http://sequart.org/magazine/15349/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-1/#comments</comments>
		<pubDate>Thu, 06 Sep 2012 11:00:17 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Captain America]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Prophet]]></category>
		<category><![CDATA[Rob Liefeld]]></category>
		<category><![CDATA[Sharpening the Image]]></category>
		<category><![CDATA[Youngblood]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-Youngblood-Liefield-150x150.jpg" alt="Sharpening the Image: Rob Liefield’s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started it All" title="Sharpening the Image: Rob Liefield’s &lt;i&gt;Youngblood&lt;/i&gt;, the Man and the Comic that Started it All" style="float:left;" />By many accounts, it was Rob Liefield who initiated talks about forming Image Comics and encouraged other rock star artists of the late 1980s and early 1990s into breaking away from the mainstream to form&#8230; <a href="http://sequart.org/magazine/15349/sharpening-the-image-rob-liefield%e2%80%99s-youngblood-the-man-and-the-comic-that-started-it-all-part-1/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Sharpening the Image: Introduction</title>
		<link>http://sequart.org/magazine/14935/sharpening-the-image-introduction/</link>
		<comments>http://sequart.org/magazine/14935/sharpening-the-image-introduction/#comments</comments>
		<pubDate>Thu, 23 Aug 2012 11:00:56 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Marvel Comics]]></category>
		<category><![CDATA[Sharpening the Image]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=14935</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-Founders-2007-e1345257498243-150x150.jpg" alt="Sharpening the Image: Introduction" title="Sharpening the Image: Introduction" style="float:left;" />Comic readers from Gen X and (older members of) Gen Y remember 1992 as a sort of zeitgeist for comics.  Change was in the air in all strata of the field: DC Comics not only&#8230; <a href="http://sequart.org/magazine/14935/sharpening-the-image-introduction/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>A Peek Behind the Curtain: Into North Korea with Guy Delisle in Pyongyang</title>
		<link>http://sequart.org/magazine/13845/a-peek-behind-the-curtain-into-north-korea-with-guy-delisle-in-pyongyang/</link>
		<comments>http://sequart.org/magazine/13845/a-peek-behind-the-curtain-into-north-korea-with-guy-delisle-in-pyongyang/#comments</comments>
		<pubDate>Thu, 19 Jul 2012 13:00:11 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Guy Delisle]]></category>
		<category><![CDATA[North Korea]]></category>
		<category><![CDATA[Pyongyang]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=13845</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Pyongyang-Cover-e1342656808527-150x150.jpg" alt="A Peek Behind the Curtain: Into North Korea with Guy Delisle in &lt;i&gt;Pyongyang&lt;/i&gt;" title="A Peek Behind the Curtain: Into North Korea with Guy Delisle in &lt;i&gt;Pyongyang&lt;/i&gt;" style="float:left;" />Guy Delisle’s travelogue, Pyongyang, takes readers on a journey to a country that has been closed off to the West for years, and instead of dispelling fears of a fascist nation oppressing its people in&#8230; <a href="http://sequart.org/magazine/13845/a-peek-behind-the-curtain-into-north-korea-with-guy-delisle-in-pyongyang/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Comics as Catharsis: Alison Bechdel’s Fun Home</title>
		<link>http://sequart.org/magazine/13273/comics-as-catharsis-alison-bechdel%e2%80%99s-fun-home/</link>
		<comments>http://sequart.org/magazine/13273/comics-as-catharsis-alison-bechdel%e2%80%99s-fun-home/#comments</comments>
		<pubDate>Thu, 05 Jul 2012 11:00:39 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alison Bechdel]]></category>
		<category><![CDATA[Fun Home]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=13273</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/fun-home-cover-150x150.jpg" alt="Comics as Catharsis: Alison Bechdel’s &lt;i&gt;Fun Home&lt;/i&gt;" title="Comics as Catharsis: Alison Bechdel’s &lt;i&gt;Fun Home&lt;/i&gt;" style="float:left;" />Comic literature is truly an exciting field, as it expands its canon to include more than the super-hero genre that got things started in the 1930s and &#8217;40s. Today, creators are taking advantage of this&#8230; <a href="http://sequart.org/magazine/13273/comics-as-catharsis-alison-bechdel%e2%80%99s-fun-home/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Mazzuchelli&#8217;s Asterios Polyp and the Fine Line</title>
		<link>http://sequart.org/magazine/12109/mazzuchellis-asterios-polyp-and-the-fine-line/</link>
		<comments>http://sequart.org/magazine/12109/mazzuchellis-asterios-polyp-and-the-fine-line/#comments</comments>
		<pubDate>Thu, 21 Jun 2012 11:00:38 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Asterios Polyp]]></category>
		<category><![CDATA[David Mazzucchelli]]></category>
		<category><![CDATA[mythology]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=12109</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Asterios-Profile-150x150.jpg" alt="Mazzuchelli&#8217;s &lt;i&gt;Asterios Polyp&lt;/i&gt; and the Fine Line" title="Mazzuchelli&#8217;s &lt;i&gt;Asterios Polyp&lt;/i&gt; and the Fine Line" style="float:left;" />Have you read David Mazzuchelli’s Asterios Polyp? If not, you should. This graphic novel exemplifies the type of comic that makes excellent use of its visual components and economic use of language to provide a powerful, valuable&#8230; <a href="http://sequart.org/magazine/12109/mazzuchellis-asterios-polyp-and-the-fine-line/">[more]</a>]]></description>
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		<slash:comments>8</slash:comments>
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		<title>My Introduction to Manga, Part 2: A Mechanical Emerson for the Future in Urasawa’s Pluto</title>
		<link>http://sequart.org/magazine/12101/my-introduction-to-manga-part-2-a-mechanical-emerson-for-the-future-in-urasawa%e2%80%99s-pluto/</link>
		<comments>http://sequart.org/magazine/12101/my-introduction-to-manga-part-2-a-mechanical-emerson-for-the-future-in-urasawa%e2%80%99s-pluto/#comments</comments>
		<pubDate>Thu, 07 Jun 2012 11:00:12 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Astro Boy]]></category>
		<category><![CDATA[manga]]></category>
		<category><![CDATA[Osamu Tezuka]]></category>
		<category><![CDATA[Pluto]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=12101</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Mont-Blanc-150x150.jpg" alt="My Introduction to Manga, Part 2: A Mechanical Emerson for the Future in Urasawa’s &lt;i&gt;Pluto&lt;/i&gt;" title="My Introduction to Manga, Part 2: A Mechanical Emerson for the Future in Urasawa’s &lt;i&gt;Pluto&lt;/i&gt;" style="float:left;" />In 1942, Isaac Asimov introduced the world to the three laws of robotics and, in doing so, set the stage that later science fiction writers interested in writing about robots would have to cross. Ten&#8230; <a href="http://sequart.org/magazine/12101/my-introduction-to-manga-part-2-a-mechanical-emerson-for-the-future-in-urasawa%e2%80%99s-pluto/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>My Introduction to Manga, Part 1: Suppli Takes on Batman and Loses. By a Landslide.</title>
		<link>http://sequart.org/magazine/11480/my-introduction-to-manga-part-1-suppli-takes-on-batman-and-loses-by-a-landslide/</link>
		<comments>http://sequart.org/magazine/11480/my-introduction-to-manga-part-1-suppli-takes-on-batman-and-loses-by-a-landslide/#comments</comments>
		<pubDate>Wed, 30 May 2012 11:00:38 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[manga]]></category>
		<category><![CDATA[Suppli]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=11480</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Suppli-Cover-150x150.jpg" alt="My Introduction to Manga, Part 1: &lt;i&gt;Suppli&lt;/i&gt; Takes on &lt;i&gt;Batman&lt;/i&gt; and Loses. By a Landslide." title="My Introduction to Manga, Part 1: &lt;i&gt;Suppli&lt;/i&gt; Takes on &lt;i&gt;Batman&lt;/i&gt; and Loses. By a Landslide." style="float:left;" />Like many Western comic fans of a certain age (which will go unmentioned), I have had little exposure to manga and anime. In fact, my only experience with anything related to the subject would have&#8230; <a href="http://sequart.org/magazine/11480/my-introduction-to-manga-part-1-suppli-takes-on-batman-and-loses-by-a-landslide/">[more]</a>]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Kafka and The Bunny Suicides</title>
		<link>http://sequart.org/magazine/11465/kafka-and-the-bunny-suicides/</link>
		<comments>http://sequart.org/magazine/11465/kafka-and-the-bunny-suicides/#comments</comments>
		<pubDate>Thu, 24 May 2012 11:00:39 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Andy Riley]]></category>
		<category><![CDATA[Franz Kafka]]></category>
		<category><![CDATA[Robert Crumb]]></category>
		<category><![CDATA[The Bunny Suicides]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=11465</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Kafka-1-150x150.jpg" alt="Kafka and &lt;i&gt;The Bunny Suicides&lt;/i&gt;" title="Kafka and &lt;i&gt;The Bunny Suicides&lt;/i&gt;" style="float:left;" />During the last week of December, savvy shoppers are aware of the 50% discount on new calendars for the upcoming year. It is with this in mind that I accompany my wife to the mall&#8230; <a href="http://sequart.org/magazine/11465/kafka-and-the-bunny-suicides/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Black Hole… Where Everyone is Welcome!</title>
		<link>http://sequart.org/magazine/11474/black-hole%e2%80%a6where-everyone-is-welcome/</link>
		<comments>http://sequart.org/magazine/11474/black-hole%e2%80%a6where-everyone-is-welcome/#comments</comments>
		<pubDate>Thu, 17 May 2012 11:00:34 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[art history]]></category>
		<category><![CDATA[Black Hole]]></category>
		<category><![CDATA[Charles Burns]]></category>
		<category><![CDATA[woodcuts]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=11474</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Black-Hole-cover-150x150.jpg" alt="&lt;i&gt;Black Hole&lt;/i&gt;… Where Everyone is Welcome!" title="&lt;i&gt;Black Hole&lt;/i&gt;… Where Everyone is Welcome!" style="float:left;" />Charles Burns’s Black Hole starts off like so many other bildungsroman stories before it: girl and boy meet, girl and boy fall in love, girl and boy experience sex together for the first time, girl discovers&#8230; <a href="http://sequart.org/magazine/11474/black-hole%e2%80%a6where-everyone-is-welcome/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Anxiety of Influence and Failed Sequels: Frank Miller and The Dark Knight Strikes Again</title>
		<link>http://sequart.org/magazine/10653/the-anxiety-of-influence-and-failed-sequels-frank-miller-and-the-dark-knight-strikes-again/</link>
		<comments>http://sequart.org/magazine/10653/the-anxiety-of-influence-and-failed-sequels-frank-miller-and-the-dark-knight-strikes-again/#comments</comments>
		<pubDate>Thu, 26 Apr 2012 11:00:52 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[anxiety of influence]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Harold Bloom]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>
		<category><![CDATA[The Dark Knight Strikes Again]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10653</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/DK2-e1360621272621-150x150.jpg" alt="The Anxiety of Influence and Failed Sequels: Frank Miller and &lt;i&gt;The Dark Knight Strikes Again&lt;/i&gt;" title="The Anxiety of Influence and Failed Sequels: Frank Miller and &lt;i&gt;The Dark Knight Strikes Again&lt;/i&gt;" style="float:left;" />“I mean the criticism teaches not a language of criticism […] but a language in which poetry already is written, the language of influence, of the dialectic…” (Bloom 25). In his controversial work, The Anxiety&#8230; <a href="http://sequart.org/magazine/10653/the-anxiety-of-influence-and-failed-sequels-frank-miller-and-the-dark-knight-strikes-again/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>The Difficulties of Being “Just” Good and Bad in Comics of the New Millennium</title>
		<link>http://sequart.org/magazine/10652/the-difficulties-of-being-%e2%80%9cjust%e2%80%9d-good-and-bad-in-comics-of-the-new-millennium/</link>
		<comments>http://sequart.org/magazine/10652/the-difficulties-of-being-%e2%80%9cjust%e2%80%9d-good-and-bad-in-comics-of-the-new-millennium/#comments</comments>
		<pubDate>Thu, 19 Apr 2012 11:00:51 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Antihero]]></category>
		<category><![CDATA[Ed Brubaker]]></category>
		<category><![CDATA[Incognito]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10652</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/incognito-150x150.jpg" alt="The Difficulties of Being “Just” Good and Bad in Comics of the New Millennium" title="The Difficulties of Being “Just” Good and Bad in Comics of the New Millennium" style="float:left;" />In 1974, Frank Castle—also known as The Punisher—made his debut in Amazing Spider-Man #129, and the comics world was introduced to what would become one of the most popular anti-heroes—though he certainly was not the&#8230; <a href="http://sequart.org/magazine/10652/the-difficulties-of-being-%e2%80%9cjust%e2%80%9d-good-and-bad-in-comics-of-the-new-millennium/">[more]</a>]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Jimmy Corrigan and Smartest Deconstruction of the Superhero in the World</title>
		<link>http://sequart.org/magazine/10651/jimmy-corrigan-and-smartest-deconstruction-of-the-superhero-in-the-world/</link>
		<comments>http://sequart.org/magazine/10651/jimmy-corrigan-and-smartest-deconstruction-of-the-superhero-in-the-world/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 11:00:39 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Chris Ware]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[Jimmy Corrigan]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10651</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/chrisware_superman_cover_full-150x150.jpg" alt="&lt;i&gt;Jimmy Corrigan&lt;/i&gt; and Smartest Deconstruction of the Superhero in the World" title="&lt;i&gt;Jimmy Corrigan&lt;/i&gt; and Smartest Deconstruction of the Superhero in the World" style="float:left;" />When dealing with 20th-century novels, James Joyce’s Ulysses is arguably the most significant work in terms of its influence on writers who would follow in the modern and postmodern traditions. In like fashion, Chris Ware’s&#8230; <a href="http://sequart.org/magazine/10651/jimmy-corrigan-and-smartest-deconstruction-of-the-superhero-in-the-world/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Adventures of Tintin in Critical Controversy</title>
		<link>http://sequart.org/magazine/10630/the-adventures-of-tintin-in-critical-controversy/</link>
		<comments>http://sequart.org/magazine/10630/the-adventures-of-tintin-in-critical-controversy/#comments</comments>
		<pubDate>Thu, 05 Apr 2012 11:00:07 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[European comics]]></category>
		<category><![CDATA[French comics]]></category>
		<category><![CDATA[Herge]]></category>
		<category><![CDATA[The Adventures of Tin Tin]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10630</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Herge-Group-Shot-150x150.png" alt="&lt;i&gt;The Adventures of Tintin&lt;/i&gt; in Critical Controversy" title="&lt;i&gt;The Adventures of Tintin&lt;/i&gt; in Critical Controversy" style="float:left;" />It is commonly held that the United States helped create the comics art and literary genre; however, what is often overlooked is the significant comics community thriving in Europe during these early years, particularly in&#8230; <a href="http://sequart.org/magazine/10630/the-adventures-of-tintin-in-critical-controversy/">[more]</a>]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Life on Another Planet: Because the Options Here Don&#8217;t Look Great</title>
		<link>http://sequart.org/magazine/10625/life-on-another-planet-because-the-options-here-dont-look-great/</link>
		<comments>http://sequart.org/magazine/10625/life-on-another-planet-because-the-options-here-dont-look-great/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 11:00:45 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Life on Another Planet]]></category>
		<category><![CDATA[Will Eisner]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10625</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Eisner-Bludd-150x150.jpg" alt="&lt;i&gt;Life on Another Planet&lt;/i&gt;: Because the Options Here Don&#8217;t Look Great" title="&lt;i&gt;Life on Another Planet&lt;/i&gt;: Because the Options Here Don&#8217;t Look Great" style="float:left;" />The notion of discovering intelligent life on another planet and discovering new worlds in space might initially seem to be an exciting field of exploration rife with optimism. However, Will Eisner’s Life on Another Planet&#8230; <a href="http://sequart.org/magazine/10625/life-on-another-planet-because-the-options-here-dont-look-great/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Grant Morrison’s All-Star Superman:  Science Fiction or Science Fiction Appropriated?</title>
		<link>http://sequart.org/magazine/10619/grant-morrison%e2%80%99s-all-star-superman-science-fiction-or-science-fiction-appropriated/</link>
		<comments>http://sequart.org/magazine/10619/grant-morrison%e2%80%99s-all-star-superman-science-fiction-or-science-fiction-appropriated/#comments</comments>
		<pubDate>Wed, 21 Mar 2012 11:00:00 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[All Star Superman]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10619</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Morrison-Heroes-150x150.jpg" alt="Grant Morrison’s &lt;i&gt;All-Star Superman&lt;/i&gt;:  Science Fiction or Science Fiction Appropriated?" title="Grant Morrison’s &lt;i&gt;All-Star Superman&lt;/i&gt;:  Science Fiction or Science Fiction Appropriated?" style="float:left;" />Like traditional literature, graphic novels and comics approach the science fiction genre in a variety of different ways, and this should come as no surprise given the various approaches to sequential art in the United&#8230; <a href="http://sequart.org/magazine/10619/grant-morrison%e2%80%99s-all-star-superman-science-fiction-or-science-fiction-appropriated/">[more]</a>]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Habibi: Open Dialogues with Difficult Literature</title>
		<link>http://sequart.org/magazine/10081/habibi-open-dialogues-with-difficult-literature/</link>
		<comments>http://sequart.org/magazine/10081/habibi-open-dialogues-with-difficult-literature/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 12:00:52 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Craig Thompson]]></category>
		<category><![CDATA[Dick Lit]]></category>
		<category><![CDATA[Habibi]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10081</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Dodola-150x150.jpg" alt="&lt;i&gt;Habibi&lt;/i&gt;: Open Dialogues with Difficult Literature" title="&lt;i&gt;Habibi&lt;/i&gt;: Open Dialogues with Difficult Literature" style="float:left;" />My first impression upon picking up my copy of Craig Thompson’s latest work, Habibi, was one of both excitement and trepidation. My previous experience with Thompson was his multi-award winning graphic novel, Blankets. Like so&#8230; <a href="http://sequart.org/magazine/10081/habibi-open-dialogues-with-difficult-literature/">[more]</a>]]></description>
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		<slash:comments>5</slash:comments>
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		<title>Rethinking “Modern Era Comic Books Aren’t Bad&#8230; They’re Just Not Worth the Money”</title>
		<link>http://sequart.org/magazine/9272/rethinking-modern-era-comic-books-aren%e2%80%99t-bad-they%e2%80%99re-just-not-worth-the-money/</link>
		<comments>http://sequart.org/magazine/9272/rethinking-modern-era-comic-books-aren%e2%80%99t-bad-they%e2%80%99re-just-not-worth-the-money/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 12:00:25 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[sales]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9272</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/MoneyMan2010-150x150.jpg" alt="Rethinking “Modern Era Comic Books Aren’t Bad&#8230; They’re Just Not Worth the Money”" title="Rethinking “Modern Era Comic Books Aren’t Bad&#8230; They’re Just Not Worth the Money”" style="float:left;" />In the Spring 2010 newsletter of the Comic Book Collector’s Association, I wrote an article called “Modern Era Comic Books Aren’t Bad…They’re Just Not Worth the Money.[1]” There were two primary critiques that I leveled&#8230; <a href="http://sequart.org/magazine/9272/rethinking-modern-era-comic-books-aren%e2%80%99t-bad-they%e2%80%99re-just-not-worth-the-money/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Comics Journalism: Learning about Current Events through Funny Books</title>
		<link>http://sequart.org/magazine/6901/comics-journalism-learning-about-current-events-through-funny-books/</link>
		<comments>http://sequart.org/magazine/6901/comics-journalism-learning-about-current-events-through-funny-books/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 12:00:53 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Afghanistan]]></category>
		<category><![CDATA[Daniel Archer]]></category>
		<category><![CDATA[Didier Lefevre]]></category>
		<category><![CDATA[Emmanuel Guibert]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Scott McCloud]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=6901</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Comics-Journalism-150x150.jpg" alt="Comics Journalism: Learning about Current Events through Funny Books" title="Comics Journalism: Learning about Current Events through Funny Books" style="float:left;" />It’s an exciting time to work in the field of comics today, even for those us—the comics critics and scholars—who possess far less artistic ability to create captivating images or weave spellbinding tales. As an&#8230; <a href="http://sequart.org/magazine/6901/comics-journalism-learning-about-current-events-through-funny-books/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Why I Believe in Comics</title>
		<link>http://sequart.org/magazine/6519/why-i-believe-in-comics/</link>
		<comments>http://sequart.org/magazine/6519/why-i-believe-in-comics/#comments</comments>
		<pubDate>Sat, 29 Oct 2011 11:00:59 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Editorials]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=6519</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/pride-of-baghdad-150x150.jpg" alt="Why I Believe in Comics" title="Why I Believe in Comics" style="float:left;" />On NPR, there is a program called This I Believe… where respondents briefly explain their particular belief about a certain topic in around 500 or so words. Some individuals focus on their belief in the&#8230; <a href="http://sequart.org/magazine/6519/why-i-believe-in-comics/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Fresh Off the Boat: Stories of the Americanization Process in Anya’s Ghost and American Born Chinese (Part Two)</title>
		<link>http://sequart.org/magazine/4175/part-two-fresh-off-the-boat-stories-of-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/</link>
		<comments>http://sequart.org/magazine/4175/part-two-fresh-off-the-boat-stories-of-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/#comments</comments>
		<pubDate>Thu, 01 Sep 2011 11:00:02 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[American Born Chinese]]></category>
		<category><![CDATA[Anya's Ghost]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=4175</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Monkey-King-150x150.jpg" alt="Fresh Off the Boat: Stories of the Americanization Process in &lt;i&gt;Anya’s Ghost&lt;/i&gt; and &lt;i&gt;American Born Chinese&lt;/i&gt; (Part Two)" title="Fresh Off the Boat: Stories of the Americanization Process in &lt;i&gt;Anya’s Ghost&lt;/i&gt; and &lt;i&gt;American Born Chinese&lt;/i&gt; (Part Two)" style="float:left;" />While Anya’s Ghost subtly weaves the theme of the “FOB” and the struggle with Americanization into its story of coming of age and the supernatural, Gene Luen Yang’s award-winning American Born Chinese takes direct aim&#8230; <a href="http://sequart.org/magazine/4175/part-two-fresh-off-the-boat-stories-of-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fresh Off the Boat: The Americanization Process in Anya’s Ghost and American Born Chinese (Part One)</title>
		<link>http://sequart.org/magazine/4168/part-one-fresh-off-the-boat-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/</link>
		<comments>http://sequart.org/magazine/4168/part-one-fresh-off-the-boat-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 11:00:39 +0000</pubDate>
		<dc:creator>Forrest Helvie</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[American Born Chinese]]></category>
		<category><![CDATA[Anya's Ghost]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=4168</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/american-born-chinese-150x150.jpg" alt="Fresh Off the Boat: The Americanization Process in &lt;i&gt;Anya’s Ghost&lt;/i&gt; and &lt;i&gt;American Born Chinese&lt;/i&gt; (Part One)" title="Fresh Off the Boat: The Americanization Process in &lt;i&gt;Anya’s Ghost&lt;/i&gt; and &lt;i&gt;American Born Chinese&lt;/i&gt; (Part One)" style="float:left;" />One concept that often shows up in multiethnic literature is the “FOB”— Fresh Off the Boat—immigrant. This concept shows up either directly or indirectly in a variety of multiethnic sources and appears to be an&#8230; <a href="http://sequart.org/magazine/4168/part-one-fresh-off-the-boat-the-americanization-process-in-anya%e2%80%99s-ghost-and-american-born-chinese/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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