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	<title>Sequart Organization &#187; Superfolks</title>
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	<description>advancing comics as art</description>
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		<title>The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers</title>
		<link>http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/</link>
		<comments>http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/#comments</comments>
		<pubDate>Mon, 01 Jul 2019 11:00:44 +0000</pubDate>
		<dc:creator>Mikayla J. Laird</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[censorship / freedom of speech]]></category>
		<category><![CDATA[Comics Code Authority]]></category>
		<category><![CDATA[Diagram for Delinquents]]></category>
		<category><![CDATA[Fredric Wertham]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Larry Niven]]></category>
		<category><![CDATA[Superfolks]]></category>
		<category><![CDATA[Vertigo]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/crime-suspenstories-221-e1561983281229-150x150.jpg" alt="The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers" title="The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers" style="float:left;" />The legacy of Vertigo recalls the very idea of comics finally being allowed to mature; letting people swear, drink, openly take drugs for recreation, and bringing in some serious ambiguity as to what it means&#8230; <a href="http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/">[more]</a>]]></description>
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		<title>On the Moore / Morrison Feud, Literary Borrowings, and the Anxiety of Influence</title>
		<link>http://sequart.org/magazine/17235/on-the-moore-morrison-feud-literary-borrowings-and-the-anxiety-of-influence/</link>
		<comments>http://sequart.org/magazine/17235/on-the-moore-morrison-feud-literary-borrowings-and-the-anxiety-of-influence/#comments</comments>
		<pubDate>Mon, 26 Nov 2012 12:00:46 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[anxiety of influence]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Grant Morrison: Talking with Gods]]></category>
		<category><![CDATA[Grant Morrison: The Early Years]]></category>
		<category><![CDATA[Harold Bloom]]></category>
		<category><![CDATA[Superfolks]]></category>
		<category><![CDATA[The Matrix]]></category>
		<category><![CDATA[Timothy Callahan]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/moore-morrison-150x150.jpg" alt="On the Moore / Morrison Feud, Literary Borrowings, and the Anxiety of Influence" title="On the Moore / Morrison Feud, Literary Borrowings, and the Anxiety of Influence" style="float:left;" />It&#8217;s long been no secret, to those who paid attention, that Alan Moore and Grant Morrison &#8212; arguably the medium&#8217;s two most influential writers &#8212; don&#8217;t get along. But it&#8217;s been a slow simmer of&#8230; <a href="http://sequart.org/magazine/17235/on-the-moore-morrison-feud-literary-borrowings-and-the-anxiety-of-influence/">[more]</a>]]></description>
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