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	<title>Sequart Organization &#187; masculinity</title>
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	<description>advancing comics as art</description>
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		<title>Casino Royale: Taking It in the Cojones for Her Majesty’s Secret Service</title>
		<link>http://sequart.org/magazine/69926/bond-casino-royale-taking-it-in-cojones-for-her-majestys-secret-service/</link>
		<comments>http://sequart.org/magazine/69926/bond-casino-royale-taking-it-in-cojones-for-her-majestys-secret-service/#comments</comments>
		<pubDate>Tue, 09 Jul 2019 14:29:16 +0000</pubDate>
		<dc:creator>James Rovira</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Casino Royale]]></category>
		<category><![CDATA[James Bond]]></category>
		<category><![CDATA[masculinity]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Casino-Royale-Whack1-e1562682492965-150x150.jpg" alt="&lt;i&gt;Casino Royale&lt;/i&gt;: Taking It in the Cojones for Her Majesty’s Secret Service" title="&lt;i&gt;Casino Royale&lt;/i&gt;: Taking It in the Cojones for Her Majesty’s Secret Service" style="float:left;" />The fifth and final installment of James Bond starring Daniel Craig as Bond, currently titled only Bond 25, is set to be released in 2020. It’s notable not only because it will be Daniel Craig’s&#8230; <a href="http://sequart.org/magazine/69926/bond-casino-royale-taking-it-in-cojones-for-her-majestys-secret-service/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Open Letter to Guys</title>
		<link>http://sequart.org/magazine/69156/an-open-letter-to-guys/</link>
		<comments>http://sequart.org/magazine/69156/an-open-letter-to-guys/#comments</comments>
		<pubDate>Mon, 08 Oct 2018 23:50:37 +0000</pubDate>
		<dc:creator>Mike Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[#gamergate]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[homosexuality / GLBTQ issues]]></category>
		<category><![CDATA[LGBTQIA+ issues]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[racism]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=69156</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/K4-150x150.png" alt="An Open Letter to Guys" title="An Open Letter to Guys" style="float:left;" />Editor&#8217;s Note: The author of this piece requested anonymity. Dear Guys, It sucks being a woman these days. I am a straight, cisgender, white woman, and there is not a day that goes by that&#8230; <a href="http://sequart.org/magazine/69156/an-open-letter-to-guys/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Folly of Male Supermasculinity</title>
		<link>http://sequart.org/magazine/58892/the-folly-of-male-supermasculinity/</link>
		<comments>http://sequart.org/magazine/58892/the-folly-of-male-supermasculinity/#comments</comments>
		<pubDate>Fri, 10 Jul 2015 11:30:06 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[#comicgate]]></category>
		<category><![CDATA[Alex Ross]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[sexism]]></category>
		<category><![CDATA[Superman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/alexross1-150x150.jpg" alt="The Folly of Male Supermasculinity" title="The Folly of Male Supermasculinity" style="float:left;" />When I discovered comic books I was already in college, but their influence was present in my life far before that. I had seen all the Batman films (Burton and Schumacher’s work) and the venerable&#8230; <a href="http://sequart.org/magazine/58892/the-folly-of-male-supermasculinity/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>14</slash:comments>
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		<item>
		<title>Deconstruction of Male Duality in American Comic Books: Robert Kirkman&#8217;s Invincible</title>
		<link>http://sequart.org/magazine/57429/robert-kirkmans-invincible-male-duality/</link>
		<comments>http://sequart.org/magazine/57429/robert-kirkmans-invincible-male-duality/#comments</comments>
		<pubDate>Mon, 11 May 2015 11:00:18 +0000</pubDate>
		<dc:creator>Rafael Alves Azevedo</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[Invincible]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[rape]]></category>
		<category><![CDATA[Robert Kirkman]]></category>
		<category><![CDATA[sexuality]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/thumb5-150x150.jpg" alt="Deconstruction of Male Duality in American Comic Books: Robert Kirkman&#8217;s &lt;i&gt;Invincible&lt;/i&gt;" title="Deconstruction of Male Duality in American Comic Books: Robert Kirkman&#8217;s &lt;i&gt;Invincible&lt;/i&gt;" style="float:left;" />***Editors Note: Following articles contains graphic imagery originally featured in Invincible #110. According to Judith Butler, gender is not a static, stable, and “natural” condition someone is born with, but rather a socially constructed concept&#8230; <a href="http://sequart.org/magazine/57429/robert-kirkmans-invincible-male-duality/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Buffy, Angel, and the Guidebook to Growing Up, Part 2</title>
		<link>http://sequart.org/magazine/56966/buffy-angel-and-the-guidebook-to-growing-up-part-2/</link>
		<comments>http://sequart.org/magazine/56966/buffy-angel-and-the-guidebook-to-growing-up-part-2/#comments</comments>
		<pubDate>Thu, 07 May 2015 11:00:02 +0000</pubDate>
		<dc:creator>Ed Cambro</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Angel (television)]]></category>
		<category><![CDATA[Buffy the Vampire Slayer]]></category>
		<category><![CDATA[masculinity]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Angel4-150x150.jpg" alt="&lt;i&gt;Buffy&lt;/i&gt;, &lt;i&gt;Angel&lt;/i&gt;, and the Guidebook to Growing Up, Part 2" title="&lt;i&gt;Buffy&lt;/i&gt;, &lt;i&gt;Angel&lt;/i&gt;, and the Guidebook to Growing Up, Part 2" style="float:left;" />“I had my throat cut and all my friends abandoned me.” If Buffy was teaching us how to survive, then Angel taught us how to provide. Buffy took us from high school to college; Angel&#8230; <a href="http://sequart.org/magazine/56966/buffy-angel-and-the-guidebook-to-growing-up-part-2/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Too Late Blues: Cassavetes, Darin, and Changing Masculinities</title>
		<link>http://sequart.org/magazine/55281/too-late-blues-cassavetes/</link>
		<comments>http://sequart.org/magazine/55281/too-late-blues-cassavetes/#comments</comments>
		<pubDate>Mon, 16 Feb 2015 12:00:14 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bobby Darin]]></category>
		<category><![CDATA[John Cassavetes]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[Shadows (movie)]]></category>
		<category><![CDATA[Stella Stevens]]></category>
		<category><![CDATA[Too Late Blues (movie)]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=55281</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Too-Late-Blues-19611-150x150.jpg" alt="&lt;i&gt;Too Late Blues&lt;/i&gt;: Cassavetes, Darin, and Changing Masculinities" title="&lt;i&gt;Too Late Blues&lt;/i&gt;: Cassavetes, Darin, and Changing Masculinities" style="float:left;" />Last year I enjoyed writing about a relatively obscure jazz film, All Night Long, so I was excited a couple of weeks ago when I discovered another interesting one of the same genre.  Too Late&#8230; <a href="http://sequart.org/magazine/55281/too-late-blues-cassavetes/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Fighting for Control: Present Masculine and Feminine Emotion in X-Men: Days of Future Past</title>
		<link>http://sequart.org/magazine/45514/present-masculine-and-feminine-emotion-in-x-men-days-of-future-past/</link>
		<comments>http://sequart.org/magazine/45514/present-masculine-and-feminine-emotion-in-x-men-days-of-future-past/#comments</comments>
		<pubDate>Fri, 06 Jun 2014 14:00:29 +0000</pubDate>
		<dc:creator>Ian Boucher</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[femininity]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[X-Men]]></category>
		<category><![CDATA[X-Men: Days of Future Past (2014 movie)]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=45514</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/X-Men_Days-of-Future-Past-150x150.jpg" alt="Fighting for Control: Present Masculine and Feminine Emotion in &lt;i&gt;X-Men: Days of Future Past&lt;/i&gt;" title="Fighting for Control: Present Masculine and Feminine Emotion in &lt;i&gt;X-Men: Days of Future Past&lt;/i&gt;" style="float:left;" />I very much enjoyed X-Men: Days of Future Past.  Even with its flaws, who can complain about that ending, or the post-credits scene? Hands down, my favorite element of the film, outside of the ending,&#8230; <a href="http://sequart.org/magazine/45514/present-masculine-and-feminine-emotion-in-x-men-days-of-future-past/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Miracleman, Chapter 9: The Masculinity of Miracleman</title>
		<link>http://sequart.org/magazine/26296/miracleman-chapter-9-the-masculinity-of-miracleman/</link>
		<comments>http://sequart.org/magazine/26296/miracleman-chapter-9-the-masculinity-of-miracleman/#comments</comments>
		<pubDate>Mon, 15 Jul 2013 11:00:06 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Davis]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[British comics]]></category>
		<category><![CDATA[European comics]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Miracleman-3-chapter-9-page-4-e1372836498252-150x150.jpg" alt="&lt;em&gt;Miracleman&lt;/em&gt;, Chapter 9: The Masculinity of Miracleman" title="&lt;em&gt;Miracleman&lt;/em&gt;, Chapter 9: The Masculinity of Miracleman" style="float:left;" />We’ve begun discussing chapter nine of Alan Moore&#8217;s Miracleman (parts 1, 2, 3, 4, and 5), illustrated by Alan Davis. Today, we continue our exploration of that chapter. (We’ve also previously introduced Miracleman and discussed chapters one, two, three, four, five, six, seven,&#8230; <a href="http://sequart.org/magazine/26296/miracleman-chapter-9-the-masculinity-of-miracleman/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
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