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	<title>Sequart Organization &#187; film</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<item>
		<title>Ben Fritz Discusses His Book The Big Picture: The Fight for the Future of Movies</title>
		<link>http://sequart.org/magazine/68835/ben-fritz-discusses-his-book-the-big-picture-the-fight-for-the-future-of-movies/</link>
		<comments>http://sequart.org/magazine/68835/ben-fritz-discusses-his-book-the-big-picture-the-fight-for-the-future-of-movies/#comments</comments>
		<pubDate>Tue, 19 Jun 2018 17:48:07 +0000</pubDate>
		<dc:creator>Nicholas Yanes</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[movies]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Big-Picture-150x150.jpg" alt="Ben Fritz Discusses His Book &lt;i&gt;The Big Picture: The Fight for the Future of Movies&lt;/i&gt;" title="Ben Fritz Discusses His Book &lt;i&gt;The Big Picture: The Fight for the Future of Movies&lt;/i&gt;" style="float:left;" />For every show and movie a person enjoys, the story behind how those shows and films got made is often just as a fascinating because the business of entertainment production is a never-ending drama. And&#8230; <a href="http://sequart.org/magazine/68835/ben-fritz-discusses-his-book-the-big-picture-the-fight-for-the-future-of-movies/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ex Machina: Girlbots vs. Geekboys and Creation Anxiety in the New Frankenstein</title>
		<link>http://sequart.org/magazine/62406/ex-machina-girlbots-vs-geekboys-and-creation-anxiety-in-the-new-frankenstein/</link>
		<comments>http://sequart.org/magazine/62406/ex-machina-girlbots-vs-geekboys-and-creation-anxiety-in-the-new-frankenstein/#comments</comments>
		<pubDate>Sun, 10 Jan 2016 17:16:31 +0000</pubDate>
		<dc:creator>James Rovira</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[A.I.]]></category>
		<category><![CDATA[Alex Garland]]></category>
		<category><![CDATA[Blake and Kierkegaard: Creation and Anxiety]]></category>
		<category><![CDATA[Creation Anxiety]]></category>
		<category><![CDATA[erotic]]></category>
		<category><![CDATA[Ex Machina]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[First Book of Urizen]]></category>
		<category><![CDATA[Frankenstein]]></category>
		<category><![CDATA[Mary Shelley]]></category>
		<category><![CDATA[SXSW]]></category>
		<category><![CDATA[Tech vs. Erotic]]></category>
		<category><![CDATA[technology in film]]></category>
		<category><![CDATA[William Blake]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=62406</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Ex-machina-uk-poster-150x150.jpg" alt="&lt;em&gt;Ex Machina&lt;/em&gt;: Girlbots vs. Geekboys and Creation Anxiety in the New &lt;em&gt;Frankenstein&lt;/em&gt;" title="&lt;em&gt;Ex Machina&lt;/em&gt;: Girlbots vs. Geekboys and Creation Anxiety in the New &lt;em&gt;Frankenstein&lt;/em&gt;" style="float:left;" />Why do we fear what we create? <a href="http://sequart.org/magazine/62406/ex-machina-girlbots-vs-geekboys-and-creation-anxiety-in-the-new-frankenstein/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tomorrowland and the Disney Ethic</title>
		<link>http://sequart.org/magazine/60846/tomorrowland-and-the-disney-ethic/</link>
		<comments>http://sequart.org/magazine/60846/tomorrowland-and-the-disney-ethic/#comments</comments>
		<pubDate>Sun, 25 Oct 2015 06:50:54 +0000</pubDate>
		<dc:creator>James Rovira</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[analysis]]></category>
		<category><![CDATA[Apocalypise]]></category>
		<category><![CDATA[Apocalypse]]></category>
		<category><![CDATA[Despair]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Pessimism]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Tomorrowland]]></category>
		<category><![CDATA[Walt Disney]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Tomorrowland_poster-150x150.jpg" alt="&lt;em&gt;Tomorrowland&lt;/em&gt; and the Disney Ethic" title="&lt;em&gt;Tomorrowland&lt;/em&gt; and the Disney Ethic" style="float:left;" />The following article about Disney&#8217;s 2015 film Tomorrowland (dir. Brad Bird) will contain spoilers, and it will to some extent disagree with Emmet O&#8217;Cuana&#8217;s very good Sequart article about the film, which I recommend reading.&#8230; <a href="http://sequart.org/magazine/60846/tomorrowland-and-the-disney-ethic/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Chair Showed the Limits of Film Taste and the Director&#8217;s Role</title>
		<link>http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/</link>
		<comments>http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/#comments</comments>
		<pubDate>Tue, 15 Sep 2015 17:00:07 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60165</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/thechair-150x150.jpg" alt="&lt;i&gt;The Chair&lt;/i&gt; Showed the Limits of Film Taste and the Director&#8217;s Role" title="&lt;i&gt;The Chair&lt;/i&gt; Showed the Limits of Film Taste and the Director&#8217;s Role" style="float:left;" />The first season  of the Starz TV series The Chair came to an end almost a year ago, yet it seems to have generated very few ripples of lasting influence, if the blogosphere is any&#8230; <a href="http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Top 10 Films of 2014</title>
		<link>http://sequart.org/magazine/53851/top-10-films-of-2014/</link>
		<comments>http://sequart.org/magazine/53851/top-10-films-of-2014/#comments</comments>
		<pubDate>Wed, 07 Jan 2015 12:00:25 +0000</pubDate>
		<dc:creator>Markisan Naso</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Best of 2014]]></category>
		<category><![CDATA[Captain America: The Winter Soldier (film)]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Guardians of the Galaxy]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53851</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Raid-2-poster-150x150.jpg" alt="Top 10 Films of 2014" title="Top 10 Films of 2014" style="float:left;" />2014 was a very good year for film, featuring an impressive balance of quality blockbusters and indie marvels. I saw a lot of movies this year, but of course I didn’t see every single one.&#8230; <a href="http://sequart.org/magazine/53851/top-10-films-of-2014/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Response to Alan Moore from an Emotional “Normal”</title>
		<link>http://sequart.org/magazine/36747/a-response-to-alan-moore-from-an-emotional-normal/</link>
		<comments>http://sequart.org/magazine/36747/a-response-to-alan-moore-from-an-emotional-normal/#comments</comments>
		<pubDate>Sat, 30 Nov 2013 20:00:03 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[comics culture]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Joss Whedon]]></category>
		<category><![CDATA[super-heroes]]></category>
		<category><![CDATA[The Avengers (film)]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=36747</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/alan-moore-e1383772534819-150x150.jpg" alt="A Response to Alan Moore from an Emotional “Normal”" title="A Response to Alan Moore from an Emotional “Normal”" style="float:left;" />Alan Moore is not known for being shy with his opinions, especially when it comes to the cultural intersection of comics and society. For Moore, given his spiritual and philosophical beliefs, everything is radically connected&#8230; <a href="http://sequart.org/magazine/36747/a-response-to-alan-moore-from-an-emotional-normal/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Comic Book Films and Visual Style</title>
		<link>http://sequart.org/magazine/19716/comic-book-films-and-visual-style/</link>
		<comments>http://sequart.org/magazine/19716/comic-book-films-and-visual-style/#comments</comments>
		<pubDate>Sun, 04 Jun 2006 19:45:42 +0000</pubDate>
		<dc:creator>Mike Swain</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Hellboy]]></category>
		<category><![CDATA[Sin City]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=19716</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sin-City-150x150.jpg" alt="Comic Book Films and Visual Style" title="Comic Book Films and Visual Style" style="float:left;" />Abstract This extended essay investigates the visual nature of three popular, recent comic book films. It will determine whether efforts taken by filmmakers to represent the source material onscreen are successful and if they are&#8230; <a href="http://sequart.org/magazine/19716/comic-book-films-and-visual-style/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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