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	<title>Sequart Organization &#187; Mikayla J. Laird</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers</title>
		<link>http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/</link>
		<comments>http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/#comments</comments>
		<pubDate>Mon, 01 Jul 2019 11:00:44 +0000</pubDate>
		<dc:creator>Mikayla J. Laird</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[censorship / freedom of speech]]></category>
		<category><![CDATA[Comics Code Authority]]></category>
		<category><![CDATA[Diagram for Delinquents]]></category>
		<category><![CDATA[Fredric Wertham]]></category>
		<category><![CDATA[horror comics]]></category>
		<category><![CDATA[Larry Niven]]></category>
		<category><![CDATA[Superfolks]]></category>
		<category><![CDATA[Vertigo]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/crime-suspenstories-221-e1561983281229-150x150.jpg" alt="The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers" title="The Road to Vertigo: The Suppression and Eventual Rise of Mature Comics and Their Readers" style="float:left;" />The legacy of Vertigo recalls the very idea of comics finally being allowed to mature; letting people swear, drink, openly take drugs for recreation, and bringing in some serious ambiguity as to what it means&#8230; <a href="http://sequart.org/magazine/69911/road-to-vertigo-suppression-and-rise-of-mature-comics/">[more]</a>]]></description>
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		<title>Breaking Panels, Breaking Time: Examples of the Connection Between Panel Construction and Narrative Time</title>
		<link>http://sequart.org/magazine/69493/breaking-panels-breaking-time-examples-of-the-connection-between-panel-construction-and-narrative-time/</link>
		<comments>http://sequart.org/magazine/69493/breaking-panels-breaking-time-examples-of-the-connection-between-panel-construction-and-narrative-time/#comments</comments>
		<pubDate>Wed, 09 Jan 2019 16:00:17 +0000</pubDate>
		<dc:creator>Mikayla J. Laird</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[comics studies]]></category>
		<category><![CDATA[Gwenpool]]></category>
		<category><![CDATA[The Flash]]></category>
		<category><![CDATA[visual literacy]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Unbelievable-Gwenpool-017-2017-150x150.jpg" alt="Breaking Panels, Breaking Time: Examples of the Connection Between Panel Construction and Narrative Time" title="Breaking Panels, Breaking Time: Examples of the Connection Between Panel Construction and Narrative Time" style="float:left;" />In Scott McCloud’s Understanding Comics, he makes the comment, “To kill a man between panels is to condemn him to a thousand deaths”. An incredibly evocative piece of language, and very poetic in itself. But&#8230; <a href="http://sequart.org/magazine/69493/breaking-panels-breaking-time-examples-of-the-connection-between-panel-construction-and-narrative-time/">[more]</a>]]></description>
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