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	<title>Sequart Organization &#187; World War II</title>
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	<description>advancing comics as art</description>
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		<item>
		<title>Studio Ghibli and Fascism</title>
		<link>http://sequart.org/magazine/57954/studio-ghibli-and-fascism/</link>
		<comments>http://sequart.org/magazine/57954/studio-ghibli-and-fascism/#comments</comments>
		<pubDate>Sat, 23 May 2015 11:00:52 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Castle in the Sky]]></category>
		<category><![CDATA[fascism]]></category>
		<category><![CDATA[Howl's Moving Castle]]></category>
		<category><![CDATA[Nausicaa of the Valley of the Wind]]></category>
		<category><![CDATA[Pom Poko]]></category>
		<category><![CDATA[Porco Rosso]]></category>
		<category><![CDATA[Princess Mononoke]]></category>
		<category><![CDATA[Studio Ghibli]]></category>
		<category><![CDATA[World War II]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/howls-150x150.jpg" alt="Studio Ghibli and Fascism" title="Studio Ghibli and Fascism" style="float:left;" />Studio Ghibli’s films have inspired some introspection so far, but upon further inspection there is a very serious issue that preoccupies the studio’s middle cannon: that is fascism, and the portrayal of fascism in Studio&#8230; <a href="http://sequart.org/magazine/57954/studio-ghibli-and-fascism/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>The Burden of Change: Mourning the Pastoral in Pom Poko</title>
		<link>http://sequart.org/magazine/57400/the-burden-of-change-mourning-the-pastoral-in-pom-poko/</link>
		<comments>http://sequart.org/magazine/57400/the-burden-of-change-mourning-the-pastoral-in-pom-poko/#comments</comments>
		<pubDate>Sun, 17 May 2015 11:00:24 +0000</pubDate>
		<dc:creator>Stuart Warren</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Ai Gakawa]]></category>
		<category><![CDATA[Isao Takahata]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Pom Poko]]></category>
		<category><![CDATA[Studio Ghibli]]></category>
		<category><![CDATA[tanuki]]></category>
		<category><![CDATA[Tess of the d’Urbervilles]]></category>
		<category><![CDATA[Thomas Hardy]]></category>
		<category><![CDATA[Toshi Eguchi]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=57400</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/pom-poko-150x150.jpg" alt="The Burden of Change: Mourning the Pastoral in &lt;i&gt;Pom Poko&lt;/i&gt;" title="The Burden of Change: Mourning the Pastoral in &lt;i&gt;Pom Poko&lt;/i&gt;" style="float:left;" />Japanese tales are burdened with loss, especially modern ones. Modern Japanese fiction, produced by such writers as Natsume Soseki, is conscious about the loss of innocence and the disintegration of Eastern culture against the Western&#8230; <a href="http://sequart.org/magazine/57400/the-burden-of-change-mourning-the-pastoral-in-pom-poko/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Out of the Sunday Panels and into WWII: A Look at Superman’s Relationship with the American Working Class</title>
		<link>http://sequart.org/magazine/56789/superman-relationship-with-the-american-working-class/</link>
		<comments>http://sequart.org/magazine/56789/superman-relationship-with-the-american-working-class/#comments</comments>
		<pubDate>Sun, 26 Apr 2015 11:00:29 +0000</pubDate>
		<dc:creator>Jesse Cyrus</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[comic strips]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=56789</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/p141-150x150.jpg" alt="Out of the Sunday Panels and into WWII: A Look at Superman’s Relationship with the American Working Class" title="Out of the Sunday Panels and into WWII: A Look at Superman’s Relationship with the American Working Class" style="float:left;" />In 1938, a future symbol of “Truth, Justice, &#38; the American Way” was born, and the personification of these values formed into the character known as Superman.  The first conception of superman stands in contrast&#8230; <a href="http://sequart.org/magazine/56789/superman-relationship-with-the-american-working-class/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Japan’s Copyright Crusade: Six Months Along</title>
		<link>http://sequart.org/magazine/55259/japan%e2%80%99s-copyright-crusade-six-months-along/</link>
		<comments>http://sequart.org/magazine/55259/japan%e2%80%99s-copyright-crusade-six-months-along/#comments</comments>
		<pubDate>Tue, 24 Feb 2015 12:00:59 +0000</pubDate>
		<dc:creator>J. Holder Bennett</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[conspiracy]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[lawsuits]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=55259</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Copyright_symbol_9-150x150.gif" alt="Japan’s Copyright Crusade: Six Months Along" title="Japan’s Copyright Crusade: Six Months Along" style="float:left;" />About six months ago I wrote here on Sequart about the new enforcement of copyright laws in Japan. Since that time their efforts have had some chance to play out in the real world and&#8230; <a href="http://sequart.org/magazine/55259/japan%e2%80%99s-copyright-crusade-six-months-along/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Up Front: How Bill Mauldin’s Cartoons Captured the Truth of WWII</title>
		<link>http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/</link>
		<comments>http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/#comments</comments>
		<pubDate>Thu, 18 Dec 2014 12:00:42 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bill Mauldin]]></category>
		<category><![CDATA[Newspaper Comics Week]]></category>
		<category><![CDATA[Up Front (comic)]]></category>
		<category><![CDATA[World War II]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/UpFrontD-150x150.jpg" alt="&lt;i&gt;Up Front&lt;/i&gt;: How Bill Mauldin’s Cartoons Captured the Truth of WWII" title="&lt;i&gt;Up Front&lt;/i&gt;: How Bill Mauldin’s Cartoons Captured the Truth of WWII" style="float:left;" />Although the name usually implies humor, cartoons don’t always have to be funny. In fact, like any other artistic medium, cartoons can &#8211;and should&#8211; express the entire range of emotions, and just maybe they can&#8230; <a href="http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>To the Heart of Will Eisner</title>
		<link>http://sequart.org/magazine/40335/to-the-heart-of-will-eisner/</link>
		<comments>http://sequart.org/magazine/40335/to-the-heart-of-will-eisner/#comments</comments>
		<pubDate>Mon, 03 Mar 2014 12:00:27 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[A Contract with God]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[The Spirit]]></category>
		<category><![CDATA[To the Heart of the Storm]]></category>
		<category><![CDATA[Will Eisner]]></category>
		<category><![CDATA[Will Eisner Week]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=40335</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/CARPENTER-To-the-Heart-of-the-Storm-Cover-150x150.jpg" alt="To the Heart of Will Eisner" title="To the Heart of Will Eisner" style="float:left;" />Some of you may remember that back in January, when I first started writing this weekly column, we conducted a poll of Sequart contributors who ranked the greatest works and most important creators in comics&#8230; <a href="http://sequart.org/magazine/40335/to-the-heart-of-will-eisner/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On &#8220;How Superman Would Win the War&#8221;</title>
		<link>http://sequart.org/magazine/23691/on-how-superman-would-win-the-war/</link>
		<comments>http://sequart.org/magazine/23691/on-how-superman-would-win-the-war/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 11:00:57 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Adolf Hitler]]></category>
		<category><![CDATA[Joseph Stalin]]></category>
		<category><![CDATA[Look magazine]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Superman]]></category>
		<category><![CDATA[Superman Week]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=23691</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/page-2-of-the-recolored-How-Superman-Would-End-the-War2-e1370803491599-150x150.gif" alt="On &#8220;How Superman Would Win the War&#8221;" title="On &#8220;How Superman Would Win the War&#8221;" style="float:left;" />One of the best Superman stories – and probably one of the most important super-hero stories ever told – is also one of the shortest. What’s more, the story didn’t appear in a Superman comic;&#8230; <a href="http://sequart.org/magazine/23691/on-how-superman-would-win-the-war/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
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