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	<title>Sequart Organization &#187; Peanuts</title>
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	<description>advancing comics as art</description>
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		<title>Charles M. Schulz and Peanuts:  The Longest Jazz Solo in History</title>
		<link>http://sequart.org/magazine/53028/charles-m-schulz-and-peanuts-the-longest-jazz-solo-in-history/</link>
		<comments>http://sequart.org/magazine/53028/charles-m-schulz-and-peanuts-the-longest-jazz-solo-in-history/#comments</comments>
		<pubDate>Mon, 15 Dec 2014 12:00:41 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Charles M. Schulz]]></category>
		<category><![CDATA[Newspaper Comics Week]]></category>
		<category><![CDATA[Peanuts]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Charlie-Brown-football-150x150.jpg" alt="Charles M. Schulz and &lt;i&gt;Peanuts&lt;/i&gt;:  The Longest Jazz Solo in History" title="Charles M. Schulz and &lt;i&gt;Peanuts&lt;/i&gt;:  The Longest Jazz Solo in History" style="float:left;" />The panel opens on a barren sidewalk.  Two unnamed children, a boy and a girl, sit on some steps, leading to another, equally barren sidewalk.  There are no trees, no buildings, no animals, no cars&#8230; <a href="http://sequart.org/magazine/53028/charles-m-schulz-and-peanuts-the-longest-jazz-solo-in-history/">[more]</a>]]></description>
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		<title>The Spider-Man Moment</title>
		<link>http://sequart.org/magazine/42134/the-spider-man-moment/</link>
		<comments>http://sequart.org/magazine/42134/the-spider-man-moment/#comments</comments>
		<pubDate>Mon, 28 Apr 2014 11:00:55 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Charles Schulz]]></category>
		<category><![CDATA[Peanuts]]></category>
		<category><![CDATA[Spider-Man]]></category>
		<category><![CDATA[Spider-Man Week]]></category>
		<category><![CDATA[Ultimate Spider-Man]]></category>
		<category><![CDATA[Walt Whitman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Peanuts-150x150.jpg" alt="The Spider-Man Moment" title="The Spider-Man Moment" style="float:left;" />This is not the essay you were supposed to read today. When I first heard that we were having a Spider-Man week at Sequart, I knew pretty quickly what I wanted to write about.  While&#8230; <a href="http://sequart.org/magazine/42134/the-spider-man-moment/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>On Canons, Critics, Consensus, and Comics, Part 2</title>
		<link>http://sequart.org/magazine/38725/on-canons-critics-consensus-and-comics-part-2/</link>
		<comments>http://sequart.org/magazine/38725/on-canons-critics-consensus-and-comics-part-2/#comments</comments>
		<pubDate>Mon, 13 Jan 2014 18:00:35 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[A Contract with God]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[All Star Superman]]></category>
		<category><![CDATA[Art Spiegelman]]></category>
		<category><![CDATA[Cerebus]]></category>
		<category><![CDATA[Charles Schulz]]></category>
		<category><![CDATA[Chris Claremont]]></category>
		<category><![CDATA[Dave Sim]]></category>
		<category><![CDATA[Doom Patrol]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[George Herriman]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Jack Kirby's Fourth World]]></category>
		<category><![CDATA[John Byrne]]></category>
		<category><![CDATA[Krazy Kat]]></category>
		<category><![CDATA[Love and Rockets]]></category>
		<category><![CDATA[Maus]]></category>
		<category><![CDATA[Miracleman (a.k.a. Marvelman)]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Peanuts]]></category>
		<category><![CDATA[Promethea]]></category>
		<category><![CDATA[Sandman (Neil Gaiman series)]]></category>
		<category><![CDATA[Stan Lee]]></category>
		<category><![CDATA[Steve Ditko]]></category>
		<category><![CDATA[Swamp Thing]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>
		<category><![CDATA[The Fantastic Four]]></category>
		<category><![CDATA[The Invisibles]]></category>
		<category><![CDATA[The Spirit]]></category>
		<category><![CDATA[Tintin]]></category>
		<category><![CDATA[Uncanny X-Men]]></category>
		<category><![CDATA[Watchmen]]></category>
		<category><![CDATA[Will Eisner]]></category>
		<category><![CDATA[X-Men]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Dark-Knight-Returns-150x150.jpg" alt="On Canons, Critics, Consensus, and Comics, Part 2" title="On Canons, Critics, Consensus, and Comics, Part 2" style="float:left;" />As I explained in last week’s column, I recently asked my fellow Sequart contributors to answer the following question:  “What are the 10 greatest works in the history of the comics medium, and who are the&#8230; <a href="http://sequart.org/magazine/38725/on-canons-critics-consensus-and-comics-part-2/">[more]</a>]]></description>
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		<slash:comments>13</slash:comments>
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