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	<title>Sequart Organization &#187; music</title>
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	<description>advancing comics as art</description>
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		<title>Capes, Cowls, and Purple: How Prince Merged the Worlds of Music and Comics with Batman and Beyond</title>
		<link>http://sequart.org/magazine/69957/how-prince-merged-the-worlds-of-music-and-comics-with-batman-and-beyond/</link>
		<comments>http://sequart.org/magazine/69957/how-prince-merged-the-worlds-of-music-and-comics-with-batman-and-beyond/#comments</comments>
		<pubDate>Mon, 22 Jul 2019 13:00:26 +0000</pubDate>
		<dc:creator>James Heath Lantz</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[comics and music]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Prince]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Prince-Batdance-video-150x150.jpg" alt="Capes, Cowls, and Purple: How Prince Merged the Worlds of Music and Comics with Batman and Beyond" title="Capes, Cowls, and Purple: How Prince Merged the Worlds of Music and Comics with Batman and Beyond" style="float:left;" />Prince Rogers Nelson (June 7, 1958-April 21, 2016), known throughout most of his career simply as Prince, had been an important part of music since his humble beginnings with the band 94 East in 1975,&#8230; <a href="http://sequart.org/magazine/69957/how-prince-merged-the-worlds-of-music-and-comics-with-batman-and-beyond/">[more]</a>]]></description>
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		<title>On the 50th Anniversary of The Velvet Underground and Nico</title>
		<link>http://sequart.org/magazine/66191/on-the-50th-anniversary-of-the-velvet-underground-and-nico/</link>
		<comments>http://sequart.org/magazine/66191/on-the-50th-anniversary-of-the-velvet-underground-and-nico/#comments</comments>
		<pubDate>Sun, 12 Mar 2017 22:02:19 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[John Cale]]></category>
		<category><![CDATA[Lou Reed]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Nico]]></category>
		<category><![CDATA[The Velvet Underground]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Velvet-Underground-and-Nico-150x150.jpg" alt="On the 50th Anniversary of &lt;i&gt;The Velvet Underground and Nico&lt;/i&gt;" title="On the 50th Anniversary of &lt;i&gt;The Velvet Underground and Nico&lt;/i&gt;" style="float:left;" />The first album of the Velvet Underground, The Velvet Underground and Nico, was released, after a long delay, 50 years ago today. It&#8217;s hard to find words adequate to express what a landmark event this&#8230; <a href="http://sequart.org/magazine/66191/on-the-50th-anniversary-of-the-velvet-underground-and-nico/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>A Tribute to James Horner</title>
		<link>http://sequart.org/magazine/58624/a-tribute-to-james-horner/</link>
		<comments>http://sequart.org/magazine/58624/a-tribute-to-james-horner/#comments</comments>
		<pubDate>Fri, 26 Jun 2015 19:00:10 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[James Horner]]></category>
		<category><![CDATA[music]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/james-horner-150x150.png" alt="A Tribute to James Horner" title="A Tribute to James Horner" style="float:left;" />Probably the reason why many of us know the name James Horner is because he wrote the soundtracks to some of the films of our formative years. The public at large remembers him from Titanic&#8230; <a href="http://sequart.org/magazine/58624/a-tribute-to-james-horner/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“The Song and the People is the Same”: Authenticity and Interracial Suspicion in American Music</title>
		<link>http://sequart.org/magazine/56440/authenticity-and-interracial-suspicion-in-american-music/</link>
		<comments>http://sequart.org/magazine/56440/authenticity-and-interracial-suspicion-in-american-music/#comments</comments>
		<pubDate>Sun, 12 Apr 2015 11:00:33 +0000</pubDate>
		<dc:creator>Rafael Alves Azevedo</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[bebop (music genre)]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Nirvana (band)]]></category>
		<category><![CDATA[race and ethnicity]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Charlie-Parker-in-1949-002-150x150.jpg" alt="“The Song and the People is the Same”: Authenticity and Interracial Suspicion in American Music" title="“The Song and the People is the Same”: Authenticity and Interracial Suspicion in American Music" style="float:left;" />Amiri Baraka’s quotation “The song and the people is the same.” questions the philosophical conviction that the essence of a thing predates its existence and tells us something about music’s nature as an art form&#8230; <a href="http://sequart.org/magazine/56440/authenticity-and-interracial-suspicion-in-american-music/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Way We Write &#8211; A Review</title>
		<link>http://sequart.org/magazine/19473/the-way-we-write-a-review/</link>
		<comments>http://sequart.org/magazine/19473/the-way-we-write-a-review/#comments</comments>
		<pubDate>Sun, 10 Mar 2013 11:00:13 +0000</pubDate>
		<dc:creator>Kevin Thurman</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Adventure]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Ghosts]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[The Way We Write]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Way-We-Write-cover-150x150.jpg" alt="&lt;i&gt;The Way We Write&lt;/i&gt; &#8211; A Review" title="&lt;i&gt;The Way We Write&lt;/i&gt; &#8211; A Review" style="float:left;" />The Way We Write by Rachael Smith centers on the actual band Her Name is Calla from England.  Unfamiliar with the music, I researched the band and found the music to be dense, atmospheric, and&#8230; <a href="http://sequart.org/magazine/19473/the-way-we-write-a-review/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>“Ladies and Gentlemen, on the Guitar… Superman!”</title>
		<link>http://sequart.org/magazine/5406/%e2%80%9cladies-and-gentlemen-on-the-guitar%e2%80%a6-superman%e2%80%9d/</link>
		<comments>http://sequart.org/magazine/5406/%e2%80%9cladies-and-gentlemen-on-the-guitar%e2%80%a6-superman%e2%80%9d/#comments</comments>
		<pubDate>Tue, 04 Oct 2011 11:00:16 +0000</pubDate>
		<dc:creator>Mike Greear</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[music]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/jukebox_hero2-150x150.jpg" alt="“Ladies and Gentlemen, on the Guitar… Superman!”" title="“Ladies and Gentlemen, on the Guitar… Superman!”" style="float:left;" />The Last Son of Krypton, looking a little less brawny than I imagined him to be and with less than enough hair to pull off a spit curl, took center stage while his superfriends disappeared&#8230; <a href="http://sequart.org/magazine/5406/%e2%80%9cladies-and-gentlemen-on-the-guitar%e2%80%a6-superman%e2%80%9d/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Alan Moore&#8217;s Roscoe Moscow</title>
		<link>http://sequart.org/magazine/8752/alan-moore-roscoe-moscow/</link>
		<comments>http://sequart.org/magazine/8752/alan-moore-roscoe-moscow/#comments</comments>
		<pubDate>Wed, 13 Aug 2008 20:00:06 +0000</pubDate>
		<dc:creator>Andrew Edwards</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[British comics]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[European comics]]></category>
		<category><![CDATA[humor]]></category>
		<category><![CDATA[Iggy Pop]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Roscoe Moscow]]></category>
		<category><![CDATA[Sex Pistols]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/rosmos7-150x150.jpg" alt="Alan Moore&#8217;s &lt;em&gt;Roscoe Moscow&lt;/em&gt;" title="Alan Moore&#8217;s &lt;em&gt;Roscoe Moscow&lt;/em&gt;" style="float:left;" />The edition of Sounds magazine dated 31 March 1979 saw the publication of Alan Moore&#8217;s first instalment of Roscoe Moscow in &#8220;Who Killed Rock n&#8217; Roll?&#8221; Unlike Maxwell the Magic Cat, which is largely composed of self-contained joke strips, Roscoe&#8230; <a href="http://sequart.org/magazine/8752/alan-moore-roscoe-moscow/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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