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	<title>Sequart Organization &#187; Marlon Brando</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Why Brando Matters: Listen to Me Marlon and the Search for Authenticity</title>
		<link>http://sequart.org/magazine/59734/marlon-brando-listen-to-me-marlon/</link>
		<comments>http://sequart.org/magazine/59734/marlon-brando-listen-to-me-marlon/#comments</comments>
		<pubDate>Mon, 24 Aug 2015 11:00:50 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[A Streetcar Named Desire]]></category>
		<category><![CDATA[Acting]]></category>
		<category><![CDATA[Listen to Me Marlon]]></category>
		<category><![CDATA[Marlon Brando]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Listen-to-Me-Marlon-150x150.jpg" alt="Why Brando Matters: &lt;i&gt;Listen to Me Marlon&lt;/i&gt; and the Search for Authenticity" title="Why Brando Matters: &lt;i&gt;Listen to Me Marlon&lt;/i&gt; and the Search for Authenticity" style="float:left;" />Picasso had to paint.  Miles had to play.  Einstein had to theorize.  And Brando had to act.  But the art of acting was to expose falseness, to open it up and examine it in a never-ending search for authenticity. <a href="http://sequart.org/magazine/59734/marlon-brando-listen-to-me-marlon/">[more]</a>]]></description>
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		<title>Lost Soul Tells the Story of Richard Stanley&#8217;s Dr. Moreau</title>
		<link>http://sequart.org/magazine/58988/lost-soul-stanley-moreau-doc-review/</link>
		<comments>http://sequart.org/magazine/58988/lost-soul-stanley-moreau-doc-review/#comments</comments>
		<pubDate>Thu, 16 Jul 2015 19:00:23 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[H.G. Wells]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Richard Stanley]]></category>
		<category><![CDATA[The Island of Dr Moreau]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Lost_Soul_The_Doomed_Journey_of_Richard_Stanley’s_Island_of_Dr._Moreau-150x150.jpg" alt="&lt;i&gt;Lost Soul&lt;/i&gt; Tells the Story of Richard Stanley&#8217;s &lt;i&gt;Dr. Moreau&lt;/i&gt;" title="&lt;i&gt;Lost Soul&lt;/i&gt; Tells the Story of Richard Stanley&#8217;s &lt;i&gt;Dr. Moreau&lt;/i&gt;" style="float:left;" />Richard Stanley’s The Island of Dr. Moreau is one of the great unmade films in the history of science fiction cinema, yet unlike many “unmade” films, such as Jodorowsky’s Dune, this project actually did yield&#8230; <a href="http://sequart.org/magazine/58988/lost-soul-stanley-moreau-doc-review/">[more]</a>]]></description>
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		<title>Kingpin, Kubrick, and Conan:  A Vincent D’Onofrio Triptych</title>
		<link>http://sequart.org/magazine/58168/vincent-donofrio-daredevil/</link>
		<comments>http://sequart.org/magazine/58168/vincent-donofrio-daredevil/#comments</comments>
		<pubDate>Mon, 01 Jun 2015 11:00:42 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Conan]]></category>
		<category><![CDATA[Daredevil (Netflix series)]]></category>
		<category><![CDATA[Full Metal Jacket]]></category>
		<category><![CDATA[Kingpin]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Robert E. Howard]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[The Whole Wide World (1996)]]></category>
		<category><![CDATA[Vincent D'Onofrio]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Daredevil-promo-ad-with-Vincent-DOnofrio-copy-150x150.jpg" alt="Kingpin, Kubrick, and Conan:  A Vincent D’Onofrio Triptych" title="Kingpin, Kubrick, and Conan:  A Vincent D’Onofrio Triptych" style="float:left;" />Vincent D’Onofrio. It’s a name I’ve known for years, but until now I’ve never really paid much attention.  That’s about to change. As you may have already guessed, I’ve been watching Netflix’s Daredevil, where D’Onofrio&#8230; <a href="http://sequart.org/magazine/58168/vincent-donofrio-daredevil/">[more]</a>]]></description>
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		<title>Marlon Brando and the Problems with Collective Cartooning</title>
		<link>http://sequart.org/magazine/48930/marlon-brando-collective-cartooning/</link>
		<comments>http://sequart.org/magazine/48930/marlon-brando-collective-cartooning/#comments</comments>
		<pubDate>Mon, 11 Aug 2014 11:00:49 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[biography]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[Understanding Comics]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Marlon-Brando-Writing-150x150.jpg" alt="Marlon Brando and the Problems with Collective Cartooning" title="Marlon Brando and the Problems with Collective Cartooning" style="float:left;" />In Understanding Comics, Scott McCloud defines the act of cartooning as “amplification through simplification.”  In other words, a cartoon ignores most of the details, focusing instead on only one or two key components.  In the&#8230; <a href="http://sequart.org/magazine/48930/marlon-brando-collective-cartooning/">[more]</a>]]></description>
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