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	<title>Sequart Organization &#187; Hollywood</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<item>
		<title>San Diego Comic Con 2017: A Disgusting Display of Fan Abuse by Hollywood and the SDCC Staff</title>
		<link>http://sequart.org/magazine/67104/san-diego-comic-con-2017-a-disgusting-display-of-fan-abuse-by-hollywood-and-the-sdcc-staff/</link>
		<comments>http://sequart.org/magazine/67104/san-diego-comic-con-2017-a-disgusting-display-of-fan-abuse-by-hollywood-and-the-sdcc-staff/#comments</comments>
		<pubDate>Thu, 27 Jul 2017 14:00:06 +0000</pubDate>
		<dc:creator>Matthew Berg-Johnsen</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[San Diego Comic-Con International (SDCC)]]></category>
		<category><![CDATA[SDCC 2017]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=67104</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/CCILogo-R_Large-150x150.png" alt="San Diego Comic Con 2017: A Disgusting Display of Fan Abuse by Hollywood and the SDCC Staff" title="San Diego Comic Con 2017: A Disgusting Display of Fan Abuse by Hollywood and the SDCC Staff" style="float:left;" />I have have been going to San Diego Comic Con for the past 9 years. I have never experienced the pre-Twilight years of Comic Con where the atmosphere was significantly less hostile and relatively less&#8230; <a href="http://sequart.org/magazine/67104/san-diego-comic-con-2017-a-disgusting-display-of-fan-abuse-by-hollywood-and-the-sdcc-staff/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Multiple Realities: The Hollywood Films of Paul Verhoeven</title>
		<link>http://sequart.org/magazine/66148/multiple-realities-the-hollywood-films-of-paul-verhoeven/</link>
		<comments>http://sequart.org/magazine/66148/multiple-realities-the-hollywood-films-of-paul-verhoeven/#comments</comments>
		<pubDate>Tue, 07 Mar 2017 20:20:22 +0000</pubDate>
		<dc:creator>Michael Campochiaro</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=66148</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/verhoeven1-150x150.jpg" alt="Multiple Realities: The Hollywood Films of Paul Verhoeven" title="Multiple Realities: The Hollywood Films of Paul Verhoeven" style="float:left;" />After making a name for himself in the Netherlands, Paul Verhoeven moved to Hollywood in the 1980s to work on American films. From that period through the 1990s Verhoeven directed a series of movies across&#8230; <a href="http://sequart.org/magazine/66148/multiple-realities-the-hollywood-films-of-paul-verhoeven/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Remembering Bill Paxton</title>
		<link>http://sequart.org/magazine/65984/remembering-bill-paxton/</link>
		<comments>http://sequart.org/magazine/65984/remembering-bill-paxton/#comments</comments>
		<pubDate>Mon, 27 Feb 2017 19:20:21 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bill Paxton]]></category>
		<category><![CDATA[Character Actors]]></category>
		<category><![CDATA[Hollywood]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65984</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Bill_Paxton3-715x397-150x150.jpg" alt="Remembering Bill Paxton" title="Remembering Bill Paxton" style="float:left;" />Bill Paxton was one of those actors who was universally loved. Always a welcome presence in any film (or, indeed, TV show), a reliable character actor with strength, vulnerability and charm, but what made him&#8230; <a href="http://sequart.org/magazine/65984/remembering-bill-paxton/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Hidden Figures: An Old-Fashioned Feel-Good Movie that Teaches</title>
		<link>http://sequart.org/magazine/65849/hidden-figures-an-old-fashioned-feel-good-movie-that-teaches/</link>
		<comments>http://sequart.org/magazine/65849/hidden-figures-an-old-fashioned-feel-good-movie-that-teaches/#comments</comments>
		<pubDate>Thu, 09 Feb 2017 21:00:45 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[Space]]></category>
		<category><![CDATA[STEM]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65849</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/hiddenfigurestheblackmedia2016-150x150.png" alt="&lt;i&gt;Hidden Figures&lt;/i&gt;: An Old-Fashioned Feel-Good Movie that Teaches" title="&lt;i&gt;Hidden Figures&lt;/i&gt;: An Old-Fashioned Feel-Good Movie that Teaches" style="float:left;" />Hidden Figures is a harmless, old-fashioned all-ages family movie, that teaches an important historical lesson, but it’s light on its feet, entertaining and never feels like a slog. Quite the contrary: this is a very&#8230; <a href="http://sequart.org/magazine/65849/hidden-figures-an-old-fashioned-feel-good-movie-that-teaches/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<title>Professor Nancy Wang Yuen on Her Career, Pop-Culture Studies, and Her Book, Reel Inequality</title>
		<link>http://sequart.org/magazine/65670/professor-nancy-wang-yuen-on-her-career-pop-culture-studies-and-her-book-reel-inequality/</link>
		<comments>http://sequart.org/magazine/65670/professor-nancy-wang-yuen-on-her-career-pop-culture-studies-and-her-book-reel-inequality/#comments</comments>
		<pubDate>Thu, 19 Jan 2017 18:15:16 +0000</pubDate>
		<dc:creator>Nicholas Yanes</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[popular culture]]></category>
		<category><![CDATA[racism]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=65670</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Reel-Inequality-by-Nancy-Wang-Yuen-150x150.jpg" alt="Professor Nancy Wang Yuen on Her Career, Pop-Culture Studies, and Her Book, &lt;i&gt;Reel Inequality&lt;/i&gt;" title="Professor Nancy Wang Yuen on Her Career, Pop-Culture Studies, and Her Book, &lt;i&gt;Reel Inequality&lt;/i&gt;" style="float:left;" />Professor Nancy Wang Yuen is a sociologist, documentary producer, and pop culture geek who has made a career examining how mass media represents Asian Americans and Pacific Islanders. She has recently published a book titled,&#8230; <a href="http://sequart.org/magazine/65670/professor-nancy-wang-yuen-on-her-career-pop-culture-studies-and-her-book-reel-inequality/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Energy and Environmental Conservation Took the Stage with Leo’s Oscar Win</title>
		<link>http://sequart.org/magazine/63107/energy-and-environmental-conservation-took-the-stage-with-leo%e2%80%99s-oscar-win/</link>
		<comments>http://sequart.org/magazine/63107/energy-and-environmental-conservation-took-the-stage-with-leo%e2%80%99s-oscar-win/#comments</comments>
		<pubDate>Fri, 18 Mar 2016 02:32:31 +0000</pubDate>
		<dc:creator>Maria Karen</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Oscars]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=63107</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/maxresdefault7-150x150.jpg" alt="Energy and Environmental Conservation Took the Stage with Leo’s Oscar Win" title="Energy and Environmental Conservation Took the Stage with Leo’s Oscar Win" style="float:left;" />On a night packed to the brim with the brightest stars in the Hollywood universe, none of them shone brighter than Leonardo DiCaprio. After two decades and four near-misses, the film icon finally reeled in&#8230; <a href="http://sequart.org/magazine/63107/energy-and-environmental-conservation-took-the-stage-with-leo%e2%80%99s-oscar-win/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why Didn&#8217;t I Love The Martian?</title>
		<link>http://sequart.org/magazine/61789/why-didnt-i-love-the-martian/</link>
		<comments>http://sequart.org/magazine/61789/why-didnt-i-love-the-martian/#comments</comments>
		<pubDate>Fri, 18 Dec 2015 12:00:23 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Sci-Fi Week 3]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[The Martian]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=61789</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Martian-Matt-Damon-150x150.jpg" alt="Why Didn&#8217;t I Love &lt;i&gt;The Martian&lt;/i&gt;?" title="Why Didn&#8217;t I Love &lt;i&gt;The Martian&lt;/i&gt;?" style="float:left;" />Of all people, I should have loved The Martian. If I were to imagine a Hollywood film perfectly calibrated to my tastes as a) someone with a background in science, b) a gigantic space nerd&#8230; <a href="http://sequart.org/magazine/61789/why-didnt-i-love-the-martian/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Project Greenlight&#8216;s Season Four Finale Shows Real Courage</title>
		<link>http://sequart.org/magazine/61004/project-greenlights-season-four-finale-shows-real-courage/</link>
		<comments>http://sequart.org/magazine/61004/project-greenlights-season-four-finale-shows-real-courage/#comments</comments>
		<pubDate>Mon, 02 Nov 2015 18:45:15 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=61004</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ProjectGreenlight6401-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt;&#8216;s Season Four Finale Shows Real Courage" title="&lt;i&gt;Project Greenlight&lt;/i&gt;&#8216;s Season Four Finale Shows Real Courage" style="float:left;" />For a season that crackled with energy and drama, the finale of season four of Project Greenlight ends on a note of resigned exhaustion. All the participants in this project, from executive producers on down&#8230; <a href="http://sequart.org/magazine/61004/project-greenlights-season-four-finale-shows-real-courage/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Project Greenlight Crashes Into Episode 7</title>
		<link>http://sequart.org/magazine/60869/project-greenlight-crashes-into-episode-7/</link>
		<comments>http://sequart.org/magazine/60869/project-greenlight-crashes-into-episode-7/#comments</comments>
		<pubDate>Mon, 26 Oct 2015 17:15:41 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60869</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ProjectGreenlight6401-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt; Crashes Into Episode 7" title="&lt;i&gt;Project Greenlight&lt;/i&gt; Crashes Into Episode 7" style="float:left;" />Project Greenlight closes one chapter of the making of The Leisure Class literally with a crash in episode 7. It’s the last day of production, and director Jason Mann has essentially alienated all his key&#8230; <a href="http://sequart.org/magazine/60869/project-greenlight-crashes-into-episode-7/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Project Greenlight Episode 5: Adapt or Call Cut</title>
		<link>http://sequart.org/magazine/60671/project-greenlight-episode-5-adapt-or-call-cut/</link>
		<comments>http://sequart.org/magazine/60671/project-greenlight-episode-5-adapt-or-call-cut/#comments</comments>
		<pubDate>Wed, 14 Oct 2015 11:00:24 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60671</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ProjectGreenlight6401-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode 5: Adapt or Call Cut" title="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode 5: Adapt or Call Cut" style="float:left;" />The Leisure Class officially moves into production on this week’s episode of Project Greenlight, and writer/director Jason Mann continues to act as an uncompromising and determined filmmaker, even as the realities of time and budget&#8230; <a href="http://sequart.org/magazine/60671/project-greenlight-episode-5-adapt-or-call-cut/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Project Greenlight Episode Four: So Long, Pete Jones</title>
		<link>http://sequart.org/magazine/60473/project-greenlight-episode-four-so-long-pete-jones/</link>
		<comments>http://sequart.org/magazine/60473/project-greenlight-episode-four-so-long-pete-jones/#comments</comments>
		<pubDate>Tue, 06 Oct 2015 11:00:10 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60473</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ben-affleck-2-768-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode Four: So Long, Pete Jones" title="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode Four: So Long, Pete Jones" style="float:left;" />“There’s an art to compromise,” says Pete Jones in the latest episode of Pete Jones States the Bloody Obvious, aka Project Greenlight. This week’s episode is all about how the filmmakers and producers populating that&#8230; <a href="http://sequart.org/magazine/60473/project-greenlight-episode-four-so-long-pete-jones/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Project Greenlight Episode 3: Stay in Your Lane</title>
		<link>http://sequart.org/magazine/60371/project-greenlight-episode-3-stay-in-your-lane/</link>
		<comments>http://sequart.org/magazine/60371/project-greenlight-episode-3-stay-in-your-lane/#comments</comments>
		<pubDate>Tue, 29 Sep 2015 11:00:31 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60371</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ProjectGreenlight640-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode 3: Stay in Your Lane" title="&lt;i&gt;Project Greenlight&lt;/i&gt; Episode 3: Stay in Your Lane" style="float:left;" />“Movies are all about power,” Chris Moore said way back in Project Greenlight season one. That was fifteen years ago, when the issue of shooting on film vs digital wasn’t even on the table, and&#8230; <a href="http://sequart.org/magazine/60371/project-greenlight-episode-3-stay-in-your-lane/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Project Greenlight Shines So Far in Season 4</title>
		<link>http://sequart.org/magazine/60330/project-greenlight-shines-so-far-in-season-4/</link>
		<comments>http://sequart.org/magazine/60330/project-greenlight-shines-so-far-in-season-4/#comments</comments>
		<pubDate>Sat, 26 Sep 2015 11:00:35 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60330</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/11794477_1051388578204746_1735829983904578784_o-1-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt; Shines So Far in Season 4" title="&lt;i&gt;Project Greenlight&lt;/i&gt; Shines So Far in Season 4" style="float:left;" />It’s been a decade since season three of Project Greenlight and viewers could be forgiven for giving up the series for dead. As we’ve written here, the series and the concept seems to come from&#8230; <a href="http://sequart.org/magazine/60330/project-greenlight-shines-so-far-in-season-4/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Chair Showed the Limits of Film Taste and the Director&#8217;s Role</title>
		<link>http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/</link>
		<comments>http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/#comments</comments>
		<pubDate>Tue, 15 Sep 2015 17:00:07 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[project greelight]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=60165</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/thechair-150x150.jpg" alt="&lt;i&gt;The Chair&lt;/i&gt; Showed the Limits of Film Taste and the Director&#8217;s Role" title="&lt;i&gt;The Chair&lt;/i&gt; Showed the Limits of Film Taste and the Director&#8217;s Role" style="float:left;" />The first season  of the Starz TV series The Chair came to an end almost a year ago, yet it seems to have generated very few ripples of lasting influence, if the blogosphere is any&#8230; <a href="http://sequart.org/magazine/60165/the-chair-showed-the-limits-of-film-taste-and-the-directors-role/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Martian: Already a Problematic Adaptation</title>
		<link>http://sequart.org/magazine/59876/the-martian-already-a-problematic-adaptation/</link>
		<comments>http://sequart.org/magazine/59876/the-martian-already-a-problematic-adaptation/#comments</comments>
		<pubDate>Fri, 04 Sep 2015 11:00:06 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[The Martian]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=59876</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The_Martian_film_poster-150x150.jpg" alt="&lt;i&gt;The Martian&lt;/i&gt;: Already a Problematic Adaptation" title="&lt;i&gt;The Martian&lt;/i&gt;: Already a Problematic Adaptation" style="float:left;" />Like many fans of literate, thoughtful, plausible science fiction, I greeted the news that Ridley Scott would be directing the film adaptation of Andy Weir&#8217;s the Martian with great enthusiasm. The fact that the script&#8230; <a href="http://sequart.org/magazine/59876/the-martian-already-a-problematic-adaptation/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Project Greenlight: A Glimpse into a Bygone Era</title>
		<link>http://sequart.org/magazine/58526/project-greenlight-a-glimpse-into-a-bygone-era/</link>
		<comments>http://sequart.org/magazine/58526/project-greenlight-a-glimpse-into-a-bygone-era/#comments</comments>
		<pubDate>Mon, 22 Jun 2015 19:00:20 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Ben Affleck]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Hollywood]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=58526</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/04-150x150.jpg" alt="&lt;i&gt;Project Greenlight&lt;/i&gt;: A Glimpse into a Bygone Era" title="&lt;i&gt;Project Greenlight&lt;/i&gt;: A Glimpse into a Bygone Era" style="float:left;" />Even though only fifteen years separates us now from the early 2000s, in terms of the production of film and TV, and the general media landscape, it seems like a lifetime in the past. In&#8230; <a href="http://sequart.org/magazine/58526/project-greenlight-a-glimpse-into-a-bygone-era/">[more]</a>]]></description>
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		<title>The Magnificent Ambersons: The Film That Made Orson Welles Cry</title>
		<link>http://sequart.org/magazine/52773/the-magnificent-ambersons-the-film/</link>
		<comments>http://sequart.org/magazine/52773/the-magnificent-ambersons-the-film/#comments</comments>
		<pubDate>Wed, 03 Dec 2014 21:00:48 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Citizen Kane]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[The Magnificent Ambersons]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=52773</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ambersonspic3-150x150.jpg" alt="&lt;i&gt;The Magnificent Ambersons&lt;/i&gt;: The Film That Made Orson Welles Cry" title="&lt;i&gt;The Magnificent Ambersons&lt;/i&gt;: The Film That Made Orson Welles Cry" style="float:left;" />“In those days they had time for everything. Time for sleigh rides…” And so begins, in a haze of warm nostalgia and gentle humour, Orson Welles’ most maddening and controversial film, The Magnificent Ambersons. Viewed&#8230; <a href="http://sequart.org/magazine/52773/the-magnificent-ambersons-the-film/">[more]</a>]]></description>
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		<item>
		<title>Tremble in Fear, Hollywood!</title>
		<link>http://sequart.org/magazine/26911/tremble-in-fear-hollywood/</link>
		<comments>http://sequart.org/magazine/26911/tremble-in-fear-hollywood/#comments</comments>
		<pubDate>Wed, 10 Dec 2003 16:28:28 +0000</pubDate>
		<dc:creator>Bryan Miller</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Brian K. Vaughan]]></category>
		<category><![CDATA[Brian Michael Bendis]]></category>
		<category><![CDATA[demographics]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Ultimate Spider-Man]]></category>
		<category><![CDATA[Y: The Last Man]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=26911</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Ultimate-Spider-Man-491-150x150.jpg" alt="Tremble in Fear, Hollywood!" title="Tremble in Fear, Hollywood!" style="float:left;" />Hey, gang &#8212; welcome to another New Comics Day. I&#8217;m screwing around with the format of the column (again). Look for some more changes in the coming weeks. If you hate the new format and&#8230; <a href="http://sequart.org/magazine/26911/tremble-in-fear-hollywood/">[more]</a>]]></description>
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