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	<title>Sequart Organization &#187; Harvey Kurtzman</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Denis Kitchen Discusses his Career and Harvey Kurtzman&#8217;s Trump</title>
		<link>http://sequart.org/magazine/66067/denis-kitchen-career-harvey-kurtzman-trump/</link>
		<comments>http://sequart.org/magazine/66067/denis-kitchen-career-harvey-kurtzman-trump/#comments</comments>
		<pubDate>Fri, 03 Mar 2017 17:50:08 +0000</pubDate>
		<dc:creator>Nicholas Yanes</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Denis Kitchen]]></category>
		<category><![CDATA[Donald Trump]]></category>
		<category><![CDATA[Harvey Kurtzman]]></category>
		<category><![CDATA[MAD magazine]]></category>
		<category><![CDATA[Playboy]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Trump-Kurtzman-cover-150x150.jpg" alt="Denis Kitchen Discusses his Career and Harvey Kurtzman&#8217;s &lt;i&gt;Trump&lt;/i&gt;" title="Denis Kitchen Discusses his Career and Harvey Kurtzman&#8217;s &lt;i&gt;Trump&lt;/i&gt;" style="float:left;" />Denis Kitchen has decades of experience in comics publishing. Some of his notable accomplishments have been founding Kitchen Sink Press and the Comic Book Legal Defense. One of Kitchen’s more recent projects is Trump: The&#8230; <a href="http://sequart.org/magazine/66067/denis-kitchen-career-harvey-kurtzman-trump/">[more]</a>]]></description>
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		<title>The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future</title>
		<link>http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/</link>
		<comments>http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/#comments</comments>
		<pubDate>Sun, 24 Jan 2016 18:30:10 +0000</pubDate>
		<dc:creator>Jarrett Mazza</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[EC Comics]]></category>
		<category><![CDATA[Harvey Kurtzman]]></category>
		<category><![CDATA[House of Fear]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[Tales From The Crypt]]></category>
		<category><![CDATA[The Vault of Horror]]></category>
		<category><![CDATA[Weird Fantasy]]></category>
		<category><![CDATA[Weird Science]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/TFTC21Cover-150x150.jpg" alt="The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future" title="The Days of EC: A Critical Examination of the Pulp Books of the Past and What They Can Teach Us About Our Future" style="float:left;" />The pages were pulpy and the colors were bright, the ink was fresh and the dialogue had been waxed freshly onto each page and all it cost was a nickel to buy. The panels were&#8230; <a href="http://sequart.org/magazine/62550/the-days-of-ec-a-critical-examination-of-the-books/">[more]</a>]]></description>
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		<title>On Canons, Critics, Consensus, and Comics, Part 3</title>
		<link>http://sequart.org/magazine/38934/on-canons-critics-consensus-and-comics-part-3/</link>
		<comments>http://sequart.org/magazine/38934/on-canons-critics-consensus-and-comics-part-3/#comments</comments>
		<pubDate>Mon, 20 Jan 2014 18:00:57 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Art Spiegelman]]></category>
		<category><![CDATA[Charles M. Schulz]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[Grant Morrison]]></category>
		<category><![CDATA[Hal Foster]]></category>
		<category><![CDATA[Harvey Kurtzman]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Jerry Siegel]]></category>
		<category><![CDATA[Joe Shuster]]></category>
		<category><![CDATA[Moebius]]></category>
		<category><![CDATA[Neil Gaiman]]></category>
		<category><![CDATA[Osamu Tezuka]]></category>
		<category><![CDATA[Robert Crumb]]></category>
		<category><![CDATA[Stan Lee]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[Steve Ditko]]></category>
		<category><![CDATA[Warren Ellis]]></category>
		<category><![CDATA[Will Eisner]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Will-Eisner-150x150.jpg" alt="On Canons, Critics, Consensus, and Comics, Part 3" title="On Canons, Critics, Consensus, and Comics, Part 3" style="float:left;" />This week marks the final installment of our search for a comics canon.  As I mentioned in the first column, I recently conducted a survey of the people who contribute to Sequart.  A total of 25&#8230; <a href="http://sequart.org/magazine/38934/on-canons-critics-consensus-and-comics-part-3/">[more]</a>]]></description>
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		<title>Flashpoint: Hal Jordan and the Strange Askew Culture of Comic-Book Excellence</title>
		<link>http://sequart.org/magazine/5810/flashpoint-hal-jordan-and-the-strange-askew-culture-of-comic-book-excellence/</link>
		<comments>http://sequart.org/magazine/5810/flashpoint-hal-jordan-and-the-strange-askew-culture-of-comic-book-excellence/#comments</comments>
		<pubDate>Sat, 09 Jul 2011 11:00:20 +0000</pubDate>
		<dc:creator>Colin Smith</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Adam Schlagman]]></category>
		<category><![CDATA[Ben Oliver]]></category>
		<category><![CDATA[decompression]]></category>
		<category><![CDATA[Flashpoint]]></category>
		<category><![CDATA[Green Lantern]]></category>
		<category><![CDATA[Harvey Kurtzman]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Flashpoint-Hal-Jordan-1-e1317813817914-150x150.jpg" alt="&lt;i&gt;Flashpoint: Hal Jordan&lt;/i&gt; and the Strange Askew Culture of Comic-Book Excellence" title="&lt;i&gt;Flashpoint: Hal Jordan&lt;/i&gt; and the Strange Askew Culture of Comic-Book Excellence" style="float:left;" />It&#8217;s impossible to believe that DC Comics was careless where it came to Flashpoint: Hal Jordan. They must have known exactly what it was that they were doing. The powers at 1700 Broadway, NYC, must&#8230; <a href="http://sequart.org/magazine/5810/flashpoint-hal-jordan-and-the-strange-askew-culture-of-comic-book-excellence/">[more]</a>]]></description>
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