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	<title>Sequart Organization &#187; David Lloyd</title>
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	<description>advancing comics as art</description>
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		<title>Sifting Through the Ashes: Analyzing Hellblazer, Part 46</title>
		<link>http://sequart.org/magazine/62607/sifting-through-the-ashes-analyzing-hellblazer-part-45-2/</link>
		<comments>http://sequart.org/magazine/62607/sifting-through-the-ashes-analyzing-hellblazer-part-45-2/#comments</comments>
		<pubDate>Fri, 29 Jan 2016 18:15:10 +0000</pubDate>
		<dc:creator>Max Nestorowich</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[David Lloyd]]></category>
		<category><![CDATA[Garth Ennis]]></category>
		<category><![CDATA[Hellblazer]]></category>
		<category><![CDATA[John Constantine]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Hellblazer-56-Cover-150x150.jpg" alt="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 46" title="Sifting Through the Ashes: Analyzing &lt;i&gt;Hellblazer&lt;/i&gt;, Part 46" style="float:left;" />Issue #56 “This is the Diary of Danny Drake” Writer: Garth Ennis; Artist: David Lloyd; Letters: Elitta Fell; Editor: Stuart Moore; Cover: Glenn Fabry; A friend of mine once told me over beer that “the&#8230; <a href="http://sequart.org/magazine/62607/sifting-through-the-ashes-analyzing-hellblazer-part-45-2/">[more]</a>]]></description>
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		<title>My First Comic Con</title>
		<link>http://sequart.org/magazine/48558/my-first-comic-con/</link>
		<comments>http://sequart.org/magazine/48558/my-first-comic-con/#comments</comments>
		<pubDate>Fri, 01 Aug 2014 19:00:00 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Adam West]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[David Lloyd]]></category>
		<category><![CDATA[Kevin Smith]]></category>
		<category><![CDATA[Matthew Roberts]]></category>
		<category><![CDATA[Roc Upchurch]]></category>
		<category><![CDATA[San Diego Comic-Con International (SDCC)]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/photo3-150x150.jpg" alt="My First Comic Con" title="My First Comic Con" style="float:left;" />My first experience at San Diego Comic Con was almost overwhelming. And I mean that in a literal sense: there were many times when I felt an almost irresistible temptation to “take a knee” and&#8230; <a href="http://sequart.org/magazine/48558/my-first-comic-con/">[more]</a>]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Rethinking V for Vendetta</title>
		<link>http://sequart.org/magazine/40362/rethinking-v-for-vendetta/</link>
		<comments>http://sequart.org/magazine/40362/rethinking-v-for-vendetta/#comments</comments>
		<pubDate>Sun, 09 Mar 2014 17:00:32 +0000</pubDate>
		<dc:creator>Julian Darius</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[David Lloyd]]></category>
		<category><![CDATA[V for Vendetta]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/V-for-Vendetta-4-page-3-e1393925493670-150x150.jpg" alt="Rethinking &lt;i&gt;V for Vendetta&lt;/i&gt;" title="Rethinking &lt;i&gt;V for Vendetta&lt;/i&gt;" style="float:left;" />I don&#8217;t think V for Vendetta works. I&#8217;ve always admired the comic. David Lloyd&#8217;s artwork is quite beautiful. I like the themes. As a writer, I especially admire the odd chapters that change perspective somehow, like the&#8230; <a href="http://sequart.org/magazine/40362/rethinking-v-for-vendetta/">[more]</a>]]></description>
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		<slash:comments>10</slash:comments>
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		<title>Meet the Magus, Part 5: Microcosm, Macrocosm, and Magic in V for Vendetta</title>
		<link>http://sequart.org/magazine/13219/meet-the-magus-part-5-microcosm-macrocosm-and-magic-in-v-for-vendetta/</link>
		<comments>http://sequart.org/magazine/13219/meet-the-magus-part-5-microcosm-macrocosm-and-magic-in-v-for-vendetta/#comments</comments>
		<pubDate>Wed, 18 Jul 2012 11:00:34 +0000</pubDate>
		<dc:creator>Hannah Means-Shannon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[David Lloyd]]></category>
		<category><![CDATA[magic]]></category>
		<category><![CDATA[Meet the Magus]]></category>
		<category><![CDATA[V for Vendetta]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-11-150x150.jpg" alt="Meet the Magus, Part 5: Microcosm, Macrocosm, and Magic in &lt;i&gt;V for Vendetta&lt;/i&gt;" title="Meet the Magus, Part 5: Microcosm, Macrocosm, and Magic in &lt;i&gt;V for Vendetta&lt;/i&gt;" style="float:left;" />V for Vendetta may well be Alan Moore’s most politically concerned work, and its sci-fi dystopian vision has a decidedly practical edge. No doubt it will be mined for decades to come by commentators looking&#8230; <a href="http://sequart.org/magazine/13219/meet-the-magus-part-5-microcosm-macrocosm-and-magic-in-v-for-vendetta/">[more]</a>]]></description>
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