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	<title>Sequart Organization &#187; comedy</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Panther Beat: The Use of Beat Panels in Priest’s Black Panther</title>
		<link>http://sequart.org/magazine/70866/use-of-beat-panels-in-priest-black-panther/</link>
		<comments>http://sequart.org/magazine/70866/use-of-beat-panels-in-priest-black-panther/#comments</comments>
		<pubDate>Sun, 10 Dec 2023 22:29:19 +0000</pubDate>
		<dc:creator>Michael Hoskin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Black Panther]]></category>
		<category><![CDATA[Bob Almond]]></category>
		<category><![CDATA[Christopher Priest]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Mark Texeira]]></category>
		<category><![CDATA[Marvel Comics]]></category>
		<category><![CDATA[Sal Velluto]]></category>

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		<description><![CDATA[From literally beginning to end, Christopher Priest’s Black Panther made use of so-called ‘beat panels’ for comedic effect. Although Priest had incorporated beat panels into his repertoire prior to Black Panther, and would continue to&#8230; <a href="http://sequart.org/magazine/70866/use-of-beat-panels-in-priest-black-panther/">[more]</a>]]></description>
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		<title>For All Mankind and Space Force: Space in the Time of Quarantine</title>
		<link>http://sequart.org/magazine/70459/for-all-mankind-and-space-force-space-in-the-time-of-quarantine/</link>
		<comments>http://sequart.org/magazine/70459/for-all-mankind-and-space-force-space-in-the-time-of-quarantine/#comments</comments>
		<pubDate>Tue, 09 Jun 2020 14:00:59 +0000</pubDate>
		<dc:creator>Ian Dawe</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Apple TV+]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Space]]></category>
		<category><![CDATA[Streaming]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/For-All-Mankind-150x150.jpg" alt="&lt;i&gt;For All Mankind&lt;/i&gt; and &lt;i&gt;Space Force&lt;/i&gt;: Space in the Time of Quarantine" title="&lt;i&gt;For All Mankind&lt;/i&gt; and &lt;i&gt;Space Force&lt;/i&gt;: Space in the Time of Quarantine" style="float:left;" />Quarantine has oddly coincided with a promising outpouring of space-related news and shows, from the launch of SpaceX’s Dragon capsule to the ISS to the debut of several new streaming shows, most notably For All&#8230; <a href="http://sequart.org/magazine/70459/for-all-mankind-and-space-force-space-in-the-time-of-quarantine/">[more]</a>]]></description>
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		<title>When Vultures Weep:  Reflections on Robin Williams and the Alchemy of Joy</title>
		<link>http://sequart.org/magazine/49095/when-vultures-weep-reflections-on-robin-williams-and-the-alchemy-of-joy/</link>
		<comments>http://sequart.org/magazine/49095/when-vultures-weep-reflections-on-robin-williams-and-the-alchemy-of-joy/#comments</comments>
		<pubDate>Mon, 18 Aug 2014 11:00:26 +0000</pubDate>
		<dc:creator>Greg Carpenter</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Dead Poet's Society]]></category>
		<category><![CDATA[Ferguson]]></category>
		<category><![CDATA[Missouri]]></category>
		<category><![CDATA[Robin Williams]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/from-Inside-the-Actors-Studio1-150x150.jpg" alt="When Vultures Weep:  Reflections on Robin Williams and the Alchemy of Joy" title="When Vultures Weep:  Reflections on Robin Williams and the Alchemy of Joy" style="float:left;" />I didn’t want to write this column.  From the first moment I heard about the death of Robin Williams, it was hard enough just to process the news.  Besides, I knew millions of other people&#8230; <a href="http://sequart.org/magazine/49095/when-vultures-weep-reflections-on-robin-williams-and-the-alchemy-of-joy/">[more]</a>]]></description>
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		<title>The Way We Write &#8211; A Review</title>
		<link>http://sequart.org/magazine/19473/the-way-we-write-a-review/</link>
		<comments>http://sequart.org/magazine/19473/the-way-we-write-a-review/#comments</comments>
		<pubDate>Sun, 10 Mar 2013 11:00:13 +0000</pubDate>
		<dc:creator>Kevin Thurman</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Adventure]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[Ghosts]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[The Way We Write]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/The-Way-We-Write-cover-150x150.jpg" alt="&lt;i&gt;The Way We Write&lt;/i&gt; &#8211; A Review" title="&lt;i&gt;The Way We Write&lt;/i&gt; &#8211; A Review" style="float:left;" />The Way We Write by Rachael Smith centers on the actual band Her Name is Calla from England.  Unfamiliar with the music, I researched the band and found the music to be dense, atmospheric, and&#8230; <a href="http://sequart.org/magazine/19473/the-way-we-write-a-review/">[more]</a>]]></description>
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