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	<title>Sequart Organization &#187; Paul Jaissle</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Up Front: How Bill Mauldin’s Cartoons Captured the Truth of WWII</title>
		<link>http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/</link>
		<comments>http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/#comments</comments>
		<pubDate>Thu, 18 Dec 2014 12:00:42 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bill Mauldin]]></category>
		<category><![CDATA[Newspaper Comics Week]]></category>
		<category><![CDATA[Up Front (comic)]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=53115</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/UpFrontD-150x150.jpg" alt="&lt;i&gt;Up Front&lt;/i&gt;: How Bill Mauldin’s Cartoons Captured the Truth of WWII" title="&lt;i&gt;Up Front&lt;/i&gt;: How Bill Mauldin’s Cartoons Captured the Truth of WWII" style="float:left;" />Although the name usually implies humor, cartoons don’t always have to be funny. In fact, like any other artistic medium, cartoons can &#8211;and should&#8211; express the entire range of emotions, and just maybe they can&#8230; <a href="http://sequart.org/magazine/53115/bill-mauldin-cartoons-captured-the-truth-of-wwii/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>There’s Always Music in the Air: Pure Experience and the Philosophical Appeal of Twin Peaks</title>
		<link>http://sequart.org/magazine/51971/twin-peaks-david-lynch-philosophy/</link>
		<comments>http://sequart.org/magazine/51971/twin-peaks-david-lynch-philosophy/#comments</comments>
		<pubDate>Sun, 16 Nov 2014 12:00:38 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Blue Velvet]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Eraserhead]]></category>
		<category><![CDATA[Mark Frost]]></category>
		<category><![CDATA[Twin Peaks]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=51971</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/TwinPeaksGiant-150x150.jpg" alt="There’s Always Music in the Air: Pure Experience and the Philosophical Appeal of &lt;i&gt;Twin Peaks&lt;/i&gt;" title="There’s Always Music in the Air: Pure Experience and the Philosophical Appeal of &lt;i&gt;Twin Peaks&lt;/i&gt;" style="float:left;" />The recent announcement –following some cryptic tweets– that Mark Frost and David Lynch will be resurrecting their cult TV hit Twin Peaks predictably caused a firestorm of speculation and excitement. The vocal enthusiasm about the&#8230; <a href="http://sequart.org/magazine/51971/twin-peaks-david-lynch-philosophy/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>“The Wholeness That’s Way Too Big”: Imagining the Sublime With Kant, Derrida, and Jack Kirby</title>
		<link>http://sequart.org/magazine/49494/kirby-sublime/</link>
		<comments>http://sequart.org/magazine/49494/kirby-sublime/#comments</comments>
		<pubDate>Wed, 27 Aug 2014 11:00:47 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[aesthetics]]></category>
		<category><![CDATA[Derrida]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Jack Kirby Week]]></category>
		<category><![CDATA[Kant]]></category>
		<category><![CDATA[OMAC]]></category>
		<category><![CDATA[sublime]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=49494</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/KIRBYD-150x150.jpg" alt="“The Wholeness That’s Way Too Big”: Imagining the Sublime With Kant, Derrida, and Jack Kirby" title="“The Wholeness That’s Way Too Big”: Imagining the Sublime With Kant, Derrida, and Jack Kirby" style="float:left;" />Since I earned my master’s degree in art and philosophy, it may be unsurprising that two of the most dog-eared books on my shelf are Immanuel Kant’s Critique of Judgment and The Truth in Painting&#8230; <a href="http://sequart.org/magazine/49494/kirby-sublime/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Eternal Return: The Enduring, and Problematic, Influence of The Dark Knight Returns</title>
		<link>http://sequart.org/magazine/48134/eternal-return-the-enduring-and-problematic-influence-of-the-dark-knight-returns/</link>
		<comments>http://sequart.org/magazine/48134/eternal-return-the-enduring-and-problematic-influence-of-the-dark-knight-returns/#comments</comments>
		<pubDate>Sat, 26 Jul 2014 11:00:53 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman v Superman: Dawn of Justice]]></category>
		<category><![CDATA[Frank Miller]]></category>
		<category><![CDATA[The Dark Knight Returns]]></category>
		<category><![CDATA[Zack Snyder]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=48134</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/DKR4-150x150.jpg" alt="Eternal Return: The Enduring, and Problematic, Influence of &lt;i&gt;The Dark Knight Returns&lt;/i&gt;" title="Eternal Return: The Enduring, and Problematic, Influence of &lt;i&gt;The Dark Knight Returns&lt;/i&gt;" style="float:left;" />When the Man of Steel sequel was officially announced at Comic-Con back in July of 2013, director Zack Snyder claimed that the film would be “inspired” by Frank Miller’s classic Dark Knight Returns. Even though&#8230; <a href="http://sequart.org/magazine/48134/eternal-return-the-enduring-and-problematic-influence-of-the-dark-knight-returns/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>How Carmine Infantino Designed DC’s Silver Age</title>
		<link>http://sequart.org/magazine/47694/how-carmine-infantino-designed-dcs-silver-age/</link>
		<comments>http://sequart.org/magazine/47694/how-carmine-infantino-designed-dcs-silver-age/#comments</comments>
		<pubDate>Thu, 17 Jul 2014 11:00:27 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Carmine Infantino]]></category>
		<category><![CDATA[Comics Artists Week]]></category>
		<category><![CDATA[Flash]]></category>
		<category><![CDATA[pop art]]></category>
		<category><![CDATA[Silver Age comics]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=47694</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/TwoWorlds-150x150.jpg" alt="How Carmine Infantino Designed DC’s Silver Age" title="How Carmine Infantino Designed DC’s Silver Age" style="float:left;" />DC Comics’ Showcase #4, cover dated October 1956, is usually recognized as the book that launched the so-called Silver Age of comics by reintroducing the Flash and effectively reviving the superhero genre. The iconic cover&#8230; <a href="http://sequart.org/magazine/47694/how-carmine-infantino-designed-dcs-silver-age/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Return to Me: The Experience of Memory in Jaime Hernandez’s The Love Bunglers</title>
		<link>http://sequart.org/magazine/45808/the-experience-of-memory-in-jaime-hernandezs-the-love-bunglers/</link>
		<comments>http://sequart.org/magazine/45808/the-experience-of-memory-in-jaime-hernandezs-the-love-bunglers/#comments</comments>
		<pubDate>Thu, 12 Jun 2014 11:00:05 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jaime Hernandez]]></category>
		<category><![CDATA[Love and Rockets]]></category>
		<category><![CDATA[The Love Bunglers]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=45808</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Love-Bunglers-03-150x150.jpg" alt="Return to Me: The Experience of Memory in Jaime Hernandez’s &lt;i&gt;The Love Bunglers&lt;/i&gt;" title="Return to Me: The Experience of Memory in Jaime Hernandez’s &lt;i&gt;The Love Bunglers&lt;/i&gt;" style="float:left;" />SPOILERS BELOW… There is a stunning sequence in part five of Jaime Hernandez’s The Love Bunglers &#8212; originally serialized in Love and Rockets: New Stories volumes 3 and 4, and recently released in a deluxe&#8230; <a href="http://sequart.org/magazine/45808/the-experience-of-memory-in-jaime-hernandezs-the-love-bunglers/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“The Final Chapter!”: Peter Parker, Steve Ditko, and the Greatest Spider-Man Story Ever Told</title>
		<link>http://sequart.org/magazine/42273/steve-ditko-and-the-greatest-spider-man-story-ever-told/</link>
		<comments>http://sequart.org/magazine/42273/steve-ditko-and-the-greatest-spider-man-story-ever-told/#comments</comments>
		<pubDate>Thu, 01 May 2014 11:00:24 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Amazing Spider-Man]]></category>
		<category><![CDATA[Spider-Man Week]]></category>
		<category><![CDATA[Stan Lee]]></category>
		<category><![CDATA[Steve Ditko]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=42273</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Amazing-Spider-Man-33-cover-e1398820659929-150x150.jpg" alt="“The Final Chapter!”: Peter Parker, Steve Ditko, and the Greatest Spider-Man Story Ever Told" title="“The Final Chapter!”: Peter Parker, Steve Ditko, and the Greatest Spider-Man Story Ever Told" style="float:left;" />It was clear from his first appearance in 1962’s Amazing Fantasy #15 that Spider-Man was a very different character than any of the other super-heroes battling for justice on the newsstands at the time. Unlike&#8230; <a href="http://sequart.org/magazine/42273/steve-ditko-and-the-greatest-spider-man-story-ever-told/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Great Books vs. Late Books: Should Marvel Switch to a Bi-Monthly Schedule?</title>
		<link>http://sequart.org/magazine/39959/great-books-vs-late-books-should-marvel-switch-to-a-bi-monthly-schedule/</link>
		<comments>http://sequart.org/magazine/39959/great-books-vs-late-books-should-marvel-switch-to-a-bi-monthly-schedule/#comments</comments>
		<pubDate>Fri, 21 Feb 2014 18:00:58 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[comics formats]]></category>
		<category><![CDATA[Hawkeye]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[Marvel Comics]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=39959</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/hawkeye-fraction-aja-hollingsworth-2-150x150.jpg" alt="Great Books vs. Late Books: Should Marvel Switch to a Bi-Monthly Schedule?" title="Great Books vs. Late Books: Should Marvel Switch to a Bi-Monthly Schedule?" style="float:left;" />When you picked up Hawkeye #16 in late January, you might have been wondering what happened to issue #15. Well, it turns out that #15, originally solicited for September, is finally scheduled to arrive in stores February&#8230; <a href="http://sequart.org/magazine/39959/great-books-vs-late-books-should-marvel-switch-to-a-bi-monthly-schedule/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Image Expo and the Changing Value of the Creator</title>
		<link>http://sequart.org/magazine/38886/image-expo-and-the-changing-value-of-the-creator/</link>
		<comments>http://sequart.org/magazine/38886/image-expo-and-the-changing-value-of-the-creator/#comments</comments>
		<pubDate>Thu, 16 Jan 2014 18:00:36 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[Ed Brubaker]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[Image Comics]]></category>
		<category><![CDATA[race and ethnicity]]></category>
		<category><![CDATA[Rob Guillory]]></category>
		<category><![CDATA[Sean Phillips]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=38886</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Image-Comics-logo-e1386904839759-150x150.jpg" alt="Image Expo and the Changing Value of the Creator" title="Image Expo and the Changing Value of the Creator" style="float:left;" />Among with the flurry of new series announced at this year’s Image Expo was the news that Ed Brubaker and Sean Phillips (Criminal, Incognito, Fatale) had signed a five-year deal with the publisher that effectively&#8230; <a href="http://sequart.org/magazine/38886/image-expo-and-the-changing-value-of-the-creator/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<item>
		<title>Phony Beatlemania: Zombies, Nostalgia, and Satire in Al Ewing and Henry Flint&#8217;s Zombo: You Smell of Crime and I&#8217;m the Deodorant</title>
		<link>http://sequart.org/magazine/38168/al-ewing-henry-flint-zombo-you-smell-of-crime-and-im-the-deodorant/</link>
		<comments>http://sequart.org/magazine/38168/al-ewing-henry-flint-zombo-you-smell-of-crime-and-im-the-deodorant/#comments</comments>
		<pubDate>Sun, 29 Dec 2013 12:00:12 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[2000AD]]></category>
		<category><![CDATA[Al Ewing]]></category>
		<category><![CDATA[British comics]]></category>
		<category><![CDATA[Henry Flint]]></category>
		<category><![CDATA[Zombo]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=38168</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Zombo-Cover-e1388332786564-150x150.jpg" alt="Phony Beatlemania: Zombies, Nostalgia, and Satire in Al Ewing and Henry Flint&#8217;s &lt;i&gt;Zombo: You Smell of Crime and I&#8217;m the Deodorant&lt;/i&gt;" title="Phony Beatlemania: Zombies, Nostalgia, and Satire in Al Ewing and Henry Flint&#8217;s &lt;i&gt;Zombo: You Smell of Crime and I&#8217;m the Deodorant&lt;/i&gt;" style="float:left;" />One of my favorite moments in Al Ewing and Henry Flint&#8217;s 2000 AD serial Zombo takes place when the titular character – a half human / half zombie hybrid created by the British government to&#8230; <a href="http://sequart.org/magazine/38168/al-ewing-henry-flint-zombo-you-smell-of-crime-and-im-the-deodorant/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Original, More Explicit Artwork for The Killing Joke Surfaces</title>
		<link>http://sequart.org/magazine/37184/original-more-explicit-artwork-for-the-killing-joke-surfaces/</link>
		<comments>http://sequart.org/magazine/37184/original-more-explicit-artwork-for-the-killing-joke-surfaces/#comments</comments>
		<pubDate>Wed, 04 Dec 2013 03:00:52 +0000</pubDate>
		<dc:creator>Paul Jaissle</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Batman: The Killing Joke]]></category>
		<category><![CDATA[Grant Morrison]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=37184</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Killing-Joke-Image-e1386126330220-150x150.jpg" alt="Original, More Explicit Artwork for &lt;I&gt;The Killing Joke&lt;/I&gt; Surfaces" title="Original, More Explicit Artwork for &lt;I&gt;The Killing Joke&lt;/I&gt; Surfaces" style="float:left;" />As originally reported by Bleeding Cool, Billy Hynes, a former employee of London&#8217;s Gosh Comics, tweeted a photo on Sunday that appeared to be a page of original art from Alan Moore and Brian Bolland&#8217;s&#8230; <a href="http://sequart.org/magazine/37184/original-more-explicit-artwork-for-the-killing-joke-surfaces/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>1</slash:comments>
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