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	<title>Sequart Organization &#187; Nathan Harmon</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<title>Legitimizing a Hero: Green Arrow’s Rocky Journey to Success</title>
		<link>http://sequart.org/magazine/49760/legitimizing-a-hero-green-arrow%e2%80%99s-rocky-journey-to-success/</link>
		<comments>http://sequart.org/magazine/49760/legitimizing-a-hero-green-arrow%e2%80%99s-rocky-journey-to-success/#comments</comments>
		<pubDate>Wed, 17 Sep 2014 11:00:50 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Arrow]]></category>
		<category><![CDATA[Count Vertigo]]></category>
		<category><![CDATA[Green Arrow]]></category>
		<category><![CDATA[Smallville]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=49760</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/pic6F-150x150.jpg" alt="Legitimizing a Hero: Green Arrow’s Rocky Journey to Success" title="Legitimizing a Hero: Green Arrow’s Rocky Journey to Success" style="float:left;" />In the last two years we have seen a sudden rise of popularity of what, at one time, could have been considered fringe heroes: heroes that had a fan base but for some reason couldn’t&#8230; <a href="http://sequart.org/magazine/49760/legitimizing-a-hero-green-arrow%e2%80%99s-rocky-journey-to-success/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>How Far is Too Far?: Excessive Violence in Johnny the Homicidal Maniac</title>
		<link>http://sequart.org/magazine/20974/how-far-is-too-far-excessive-violence-in-johnny-the-homicidal-maniac/</link>
		<comments>http://sequart.org/magazine/20974/how-far-is-too-far-excessive-violence-in-johnny-the-homicidal-maniac/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 11:00:56 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Jhonen Vasquez]]></category>
		<category><![CDATA[Johnny the Homicidal Maniac]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=20974</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/250px-JTHM1-150x150.jpg" alt="How Far is Too Far?: Excessive Violence in &lt;i&gt;Johnny the Homicidal Maniac&lt;/i&gt;" title="How Far is Too Far?: Excessive Violence in &lt;i&gt;Johnny the Homicidal Maniac&lt;/i&gt;" style="float:left;" />For centuries, writers all over the world have seen the word censorship as a dirty word. And rightly so. No self-respecting writer wants his/her intellectual property to be covered up as though it wasn’t good&#8230; <a href="http://sequart.org/magazine/20974/how-far-is-too-far-excessive-violence-in-johnny-the-homicidal-maniac/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>&#8220;Don&#8217;t Tell Me What to Do&#8221;: Looking at Hellboy Refusing Fate by Pushing Freewill</title>
		<link>http://sequart.org/magazine/20139/dont-tell-me-what-to-do-looking-at-hellboy-refusing-fate-by-pushing-freewill/</link>
		<comments>http://sequart.org/magazine/20139/dont-tell-me-what-to-do-looking-at-hellboy-refusing-fate-by-pushing-freewill/#comments</comments>
		<pubDate>Sat, 06 Apr 2013 11:00:38 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Hellboy]]></category>
		<category><![CDATA[Mike Mignola]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=20139</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/comics_hellboy_in_hell_1_11-150x150.jpg" alt="&#8220;Don&#8217;t Tell Me What to Do&#8221;: Looking at Hellboy Refusing Fate by Pushing Freewill" title="&#8220;Don&#8217;t Tell Me What to Do&#8221;: Looking at Hellboy Refusing Fate by Pushing Freewill" style="float:left;" />Hellboy is the intellectual demon child of comic book writer Mike Mignola. It’s been published by Dark Horse Comics off and on since 1993. Hellboy’s origin is simple, during WWII in 1944 an occultist by&#8230; <a href="http://sequart.org/magazine/20139/dont-tell-me-what-to-do-looking-at-hellboy-refusing-fate-by-pushing-freewill/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Foil Hats and Skin Suits: Examining the Content Concerns of Mental Illness in Villainy</title>
		<link>http://sequart.org/magazine/19215/foil-hats-and-skin-suits-examining-the-content-concerns-of-mental-illness-in-villainy/</link>
		<comments>http://sequart.org/magazine/19215/foil-hats-and-skin-suits-examining-the-content-concerns-of-mental-illness-in-villainy/#comments</comments>
		<pubDate>Fri, 08 Mar 2013 12:00:26 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[mental illness]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=19215</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/joker1-150x150.jpg" alt="Foil Hats and Skin Suits: Examining the Content Concerns of Mental Illness in Villainy" title="Foil Hats and Skin Suits: Examining the Content Concerns of Mental Illness in Villainy" style="float:left;" />In the last few years, there have been many concerns over the content of comic books. In fact, the concerns are over a wide range of topics from Catwoman being too provocative to that of&#8230; <a href="http://sequart.org/magazine/19215/foil-hats-and-skin-suits-examining-the-content-concerns-of-mental-illness-in-villainy/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Ouch, That Hurts: Looking at Torture in 1991&#8242;s Weapon X, by Barry Windsor-Smith</title>
		<link>http://sequart.org/magazine/19206/ouch-that-hurts-torture-in-1991-weapon-x-wolverine-barry-windsor-smith/</link>
		<comments>http://sequart.org/magazine/19206/ouch-that-hurts-torture-in-1991-weapon-x-wolverine-barry-windsor-smith/#comments</comments>
		<pubDate>Fri, 01 Mar 2013 12:00:59 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Barry Windsor Smith]]></category>
		<category><![CDATA[Weapon X]]></category>
		<category><![CDATA[Wolverine]]></category>
		<category><![CDATA[X-Men]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=19206</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/weapon-x1-150x150.jpg" alt="Ouch, That Hurts: Looking at Torture in 1991&#8242;s &lt;i&gt;Weapon X&lt;/i&gt;, by Barry Windsor-Smith" title="Ouch, That Hurts: Looking at Torture in 1991&#8242;s &lt;i&gt;Weapon X&lt;/i&gt;, by Barry Windsor-Smith" style="float:left;" />It would be hard to refute that Wolverine is the most famous mutant that Marvel Comics has on their X-Men roster. In the last decade, he has been emphasized and serialized in almost every mainstream&#8230; <a href="http://sequart.org/magazine/19206/ouch-that-hurts-torture-in-1991-weapon-x-wolverine-barry-windsor-smith/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>The Sword in the Stone Hand: The Arthurian Trends in Hellboy</title>
		<link>http://sequart.org/magazine/18659/the-sword-in-the-stone-hand-the-arthurian-trends-in-hellboy/</link>
		<comments>http://sequart.org/magazine/18659/the-sword-in-the-stone-hand-the-arthurian-trends-in-hellboy/#comments</comments>
		<pubDate>Thu, 14 Feb 2013 12:00:10 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Hellboy]]></category>
		<category><![CDATA[Mike Mignola]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=18659</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/250px-Hellboy_-_the_wild_hunt_cover1-150x150.jpg" alt="The Sword in the Stone Hand: The Arthurian Trends in &lt;i&gt;Hellboy&lt;/i&gt;" title="The Sword in the Stone Hand: The Arthurian Trends in &lt;i&gt;Hellboy&lt;/i&gt;" style="float:left;" />In the literary arena, there are several myths that comic books pull from to feed their storylines. Often times, they come from Greek and Roman mythology, others come from the supernatural sources such as Bram&#8230; <a href="http://sequart.org/magazine/18659/the-sword-in-the-stone-hand-the-arthurian-trends-in-hellboy/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Walking Lonely Hearts: Looking at Relationships in The Walking Dead Compendium One</title>
		<link>http://sequart.org/magazine/17882/the-walking-lonely-hearts-looking-at-relationships-in-the-walking-dead-compendium-one/</link>
		<comments>http://sequart.org/magazine/17882/the-walking-lonely-hearts-looking-at-relationships-in-the-walking-dead-compendium-one/#comments</comments>
		<pubDate>Fri, 25 Jan 2013 12:00:45 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Robert Kirkman]]></category>
		<category><![CDATA[The Walking Dead]]></category>
		<category><![CDATA[zombies]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=17882</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/WalkingDead11-150x150.jpg" alt="The Walking Lonely Hearts: Looking at Relationships in &lt;i&gt;The Walking Dead&lt;/i&gt; Compendium One" title="The Walking Lonely Hearts: Looking at Relationships in &lt;i&gt;The Walking Dead&lt;/i&gt; Compendium One" style="float:left;" />In the last few years, a massive trend that has infected the current pop culture is the Zombie Apocalypse. Movies, television, video games, and comic books all have contributed to the widespread interest in the&#8230; <a href="http://sequart.org/magazine/17882/the-walking-lonely-hearts-looking-at-relationships-in-the-walking-dead-compendium-one/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Girl Who Was Let Down: Examining Volume I of The Girl with the Dragon Tattoo Graphic Novel Adaptation</title>
		<link>http://sequart.org/magazine/17756/the-girl-who-was-let-down-examining-volume-i-of-the-girl-with-the-dragon-tattoo-graphic-novel-adaptation/</link>
		<comments>http://sequart.org/magazine/17756/the-girl-who-was-let-down-examining-volume-i-of-the-girl-with-the-dragon-tattoo-graphic-novel-adaptation/#comments</comments>
		<pubDate>Sat, 05 Jan 2013 12:00:08 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[The Girl With the Dragon Tattoo]]></category>
		<category><![CDATA[Vertigo]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=17756</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/dragongraphicnovel11-150x150.jpg" alt="The Girl Who Was Let Down: Examining Volume I of &lt;i&gt;The Girl with the Dragon Tattoo&lt;/i&gt; Graphic Novel Adaptation" title="The Girl Who Was Let Down: Examining Volume I of &lt;i&gt;The Girl with the Dragon Tattoo&lt;/i&gt; Graphic Novel Adaptation" style="float:left;" />The Girl with the Dragon Tattoo has become a very recognized international brand. It started when a Swedish journalist Stieg Larsson wrote a few manuscripts that he intended to get published. It’s said that he&#8230; <a href="http://sequart.org/magazine/17756/the-girl-who-was-let-down-examining-volume-i-of-the-girl-with-the-dragon-tattoo-graphic-novel-adaptation/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Yellow Capes and Nondescript Domino Masks: Examining the Recently Enhanced Value of the Sidekick</title>
		<link>http://sequart.org/magazine/17329/yellow-capes-and-nondescript-domino-masks-examining-the-recently-enhanced-value-of-the-sidekick/</link>
		<comments>http://sequart.org/magazine/17329/yellow-capes-and-nondescript-domino-masks-examining-the-recently-enhanced-value-of-the-sidekick/#comments</comments>
		<pubDate>Thu, 20 Dec 2012 12:00:15 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Bucky]]></category>
		<category><![CDATA[Captain America]]></category>
		<category><![CDATA[Robin]]></category>
		<category><![CDATA[sidekick]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=17329</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/DetectiveComic38-150x150.jpg" alt="Yellow Capes and Nondescript Domino Masks: Examining the Recently Enhanced Value of the Sidekick" title="Yellow Capes and Nondescript Domino Masks: Examining the Recently Enhanced Value of the Sidekick" style="float:left;" />One of the most known comic book conventions is the insertion of a sidekick into the main character’s plot. Comic book writers have used this convention in numerous ways over the years with various levels&#8230; <a href="http://sequart.org/magazine/17329/yellow-capes-and-nondescript-domino-masks-examining-the-recently-enhanced-value-of-the-sidekick/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Baby Mama Drama: The Feminist Changes in Talia al Ghul</title>
		<link>http://sequart.org/magazine/16875/baby-mama-drama-the-feminist-changes-in-talia-al-ghul/</link>
		<comments>http://sequart.org/magazine/16875/baby-mama-drama-the-feminist-changes-in-talia-al-ghul/#comments</comments>
		<pubDate>Thu, 29 Nov 2012 12:00:27 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Talia al Ghul]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=16875</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/2176000-picture_23-150x150.png" alt="Baby Mama Drama: The Feminist Changes in Talia al Ghul" title="Baby Mama Drama: The Feminist Changes in Talia al Ghul" style="float:left;" />For years, the character of Talia Al Ghul was essentially Batman’s version of a Bond-girl. While she was impressive and attractive, she was typically under some sort of dominant male personality (Batman or her father&#8230; <a href="http://sequart.org/magazine/16875/baby-mama-drama-the-feminist-changes-in-talia-al-ghul/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Shoot First, Shoot Second, Shoot a Bit More, and then Stab Somebody: The Jason Todd Investigative Methodology</title>
		<link>http://sequart.org/magazine/16867/shoot-first-shoot-second-shoot-a-bit-more-and-then-stab-somebody-the-jason-todd-investigative-methodology/</link>
		<comments>http://sequart.org/magazine/16867/shoot-first-shoot-second-shoot-a-bit-more-and-then-stab-somebody-the-jason-todd-investigative-methodology/#comments</comments>
		<pubDate>Thu, 22 Nov 2012 12:00:36 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Jason Todd]]></category>
		<category><![CDATA[Red Hood]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=16867</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/659590_1923607_b-150x150.jpg" alt="Shoot First, Shoot Second, Shoot a Bit More, and then Stab Somebody: The Jason Todd Investigative Methodology" title="Shoot First, Shoot Second, Shoot a Bit More, and then Stab Somebody: The Jason Todd Investigative Methodology" style="float:left;" />Of all the wards that Bruce Wayne took into his home as the sidekick Robin, the most hated would almost unanimously be Jason Todd. Originally conceived as a Dick Grayson fill-in with only slight differences,&#8230; <a href="http://sequart.org/magazine/16867/shoot-first-shoot-second-shoot-a-bit-more-and-then-stab-somebody-the-jason-todd-investigative-methodology/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Bromancing: the Extracurricular Partnership and Relationship of Batman and Superman</title>
		<link>http://sequart.org/magazine/16835/bromancing-the-extracurricular-partnership-and-relationship-of-batman-and-superman/</link>
		<comments>http://sequart.org/magazine/16835/bromancing-the-extracurricular-partnership-and-relationship-of-batman-and-superman/#comments</comments>
		<pubDate>Thu, 15 Nov 2012 12:00:30 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=16835</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/2344962-227445_180498_superman__batman_super-150x150.jpg" alt="Bromancing: the Extracurricular Partnership and Relationship of Batman and Superman" title="Bromancing: the Extracurricular Partnership and Relationship of Batman and Superman" style="float:left;" />The last son of Krypton is alone. Superman is one of a kind (excluding his cousin and clone and other Kryptonian beings that happened to survive). The Dark Knight is a loner. He is an&#8230; <a href="http://sequart.org/magazine/16835/bromancing-the-extracurricular-partnership-and-relationship-of-batman-and-superman/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Three Surrogate Wise Men: The Father Figures of the Batman</title>
		<link>http://sequart.org/magazine/16739/three-surrogate-wise-men-the-father-figures-of-the-batman/</link>
		<comments>http://sequart.org/magazine/16739/three-surrogate-wise-men-the-father-figures-of-the-batman/#comments</comments>
		<pubDate>Fri, 09 Nov 2012 12:00:14 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[2011 DC relaunch (the "New 52")]]></category>
		<category><![CDATA[Alfred]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[fatherhood]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=16739</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Alfred005-150x150.jpg" alt="Three Surrogate Wise Men: The Father Figures of the Batman" title="Three Surrogate Wise Men: The Father Figures of the Batman" style="float:left;" />Many of our comic book heroes are orphans. As a writer, it’s easier to write exclusively about a solitary figure. The character is controlled and is focused on his or her life and mission and&#8230; <a href="http://sequart.org/magazine/16739/three-surrogate-wise-men-the-father-figures-of-the-batman/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Who’s Your Daddy: Examining the Parental Relationship Between Bruce and Damian Wayne</title>
		<link>http://sequart.org/magazine/16589/who%e2%80%99s-your-daddy-examining-the-parental-relationship-between-bruce-and-damian-wayne/</link>
		<comments>http://sequart.org/magazine/16589/who%e2%80%99s-your-daddy-examining-the-parental-relationship-between-bruce-and-damian-wayne/#comments</comments>
		<pubDate>Fri, 02 Nov 2012 11:00:46 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Damian Wayne]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[Talia al Ghul]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=16589</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Bruce-and-Damian-150x150.jpg" alt="Who’s Your Daddy: Examining the Parental Relationship Between Bruce and Damian Wayne" title="Who’s Your Daddy: Examining the Parental Relationship Between Bruce and Damian Wayne" style="float:left;" />Very few of our comic book heroes have real biological families. Many times, we see surrogate families created from a group of exceptional individuals that work together as a super-group, but if the hero did&#8230; <a href="http://sequart.org/magazine/16589/who%e2%80%99s-your-daddy-examining-the-parental-relationship-between-bruce-and-damian-wayne/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Oh, Brother, I Hate Your Guts: The Use of the Brother Versus Brother Motif in Comics</title>
		<link>http://sequart.org/magazine/16455/oh-brother-i-hate-your-guts-the-use-of-the-brother-versus-brother-motif-in-comics/</link>
		<comments>http://sequart.org/magazine/16455/oh-brother-i-hate-your-guts-the-use-of-the-brother-versus-brother-motif-in-comics/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 11:00:44 +0000</pubDate>
		<dc:creator>Nathan Harmon</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Damian Wayne]]></category>
		<category><![CDATA[Dick Grayson]]></category>
		<category><![CDATA[family]]></category>
		<category><![CDATA[Red Hood]]></category>
		<category><![CDATA[Robin]]></category>
		<category><![CDATA[siblings]]></category>
		<category><![CDATA[Tim Drake]]></category>

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		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Four-Robins-150x150.jpg" alt="Oh, Brother, I Hate Your Guts: The Use of the Brother Versus Brother Motif in Comics" title="Oh, Brother, I Hate Your Guts: The Use of the Brother Versus Brother Motif in Comics" style="float:left;" />Comic books, like all other forms of literary mediums, use a few different literary devices to stimulate our interest. We read them and enjoy them and we keep reading because we have to know what&#8230; <a href="http://sequart.org/magazine/16455/oh-brother-i-hate-your-guts-the-use-of-the-brother-versus-brother-motif-in-comics/">[more]</a>]]></description>
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