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	<title>Sequart Organization &#187; Gene Phillips</title>
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	<link>http://sequart.org</link>
	<description>advancing comics as art</description>
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		<item>
		<title>Making a Dirty Breast of the Matter, Part 2</title>
		<link>http://sequart.org/magazine/10852/making-a-dirty-breast-of-the-matter-part-2/</link>
		<comments>http://sequart.org/magazine/10852/making-a-dirty-breast-of-the-matter-part-2/#comments</comments>
		<pubDate>Fri, 20 Apr 2012 11:00:49 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[gender]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10852</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Buffy-150x150.jpg" alt="Making a Dirty Breast of the Matter, Part 2" title="Making a Dirty Breast of the Matter, Part 2" style="float:left;" />I want to focus on one remark made by Kelly Thompson in the essay “No, It’s Not Equal,” regarding the inequitable objectification of male and female characters in superhero comics: “If women, like men, were&#8230; <a href="http://sequart.org/magazine/10852/making-a-dirty-breast-of-the-matter-part-2/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>28</slash:comments>
		</item>
		<item>
		<title>Making a Dirty Breast of the Matter</title>
		<link>http://sequart.org/magazine/10687/making-a-dirty-breast-of-the-matter/</link>
		<comments>http://sequart.org/magazine/10687/making-a-dirty-breast-of-the-matter/#comments</comments>
		<pubDate>Wed, 28 Mar 2012 11:00:03 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[gender]]></category>
		<category><![CDATA[sexuality]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10687</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/widow-150x150.jpg" alt="Making a Dirty Breast of the Matter" title="Making a Dirty Breast of the Matter" style="float:left;" />In “Pulp Friction” I addressed the logical problems inherent in the position of those fans I called “anti-pulpsters,” who oppose, in one way or another, the presence of extravagant sensationalism in superhero comic books. As&#8230; <a href="http://sequart.org/magazine/10687/making-a-dirty-breast-of-the-matter/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>58</slash:comments>
		</item>
		<item>
		<title>Pluralistic Pulp</title>
		<link>http://sequart.org/magazine/10455/pluralistic-pulp/</link>
		<comments>http://sequart.org/magazine/10455/pluralistic-pulp/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 11:00:19 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[pulp]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10455</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/batman-spirit-150x150.jpg" alt="Pluralistic Pulp" title="Pluralistic Pulp" style="float:left;" />Like most writers, I enjoy seeing one of my assertions independently confirmed by a critic working in a parallel vein. In “The Growing of Adult Pulp,” I demonstrated some differences that separated “pulp fiction” from&#8230; <a href="http://sequart.org/magazine/10455/pluralistic-pulp/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Invasion of the Character Snatchers</title>
		<link>http://sequart.org/magazine/10438/invasion-of-the-character-snatchers/</link>
		<comments>http://sequart.org/magazine/10438/invasion-of-the-character-snatchers/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 11:00:08 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[creator rights]]></category>
		<category><![CDATA[Watchmen]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10438</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/alan-moore-by-frank-quitely-150x150.jpg" alt="Invasion of the Character Snatchers" title="Invasion of the Character Snatchers" style="float:left;" />In literature, I would say that it&#8217;s different. I would say, and it might be splitting hairs, but I&#8217;m not adapting these characters. I&#8217;m not doing an adaptation of Dracula or King Solomon&#8217;s Mines. What&#8230; <a href="http://sequart.org/magazine/10438/invasion-of-the-character-snatchers/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>The Return to the New 52 and the New Adult Pulp</title>
		<link>http://sequart.org/magazine/10322/the-return-to-the-new-52-and-the-new-adult-pulp/</link>
		<comments>http://sequart.org/magazine/10322/the-return-to-the-new-52-and-the-new-adult-pulp/#comments</comments>
		<pubDate>Fri, 09 Mar 2012 12:00:53 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[2011 DC relaunch (the "New 52")]]></category>
		<category><![CDATA[pulp]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=10322</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Deathstroke1-150x150.jpg" alt="The Return to the New 52 and the New Adult Pulp" title="The Return to the New 52 and the New Adult Pulp" style="float:left;" />In “The New 52 and the New Adult Pulp,” I endorsed the notion of mainstream comics embracing their heritage (yes, heritage) of extravagant sensationalism. A few months have passed, and it’s evident to me that&#8230; <a href="http://sequart.org/magazine/10322/the-return-to-the-new-52-and-the-new-adult-pulp/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Consumption Junction</title>
		<link>http://sequart.org/magazine/9964/consumption-junction/</link>
		<comments>http://sequart.org/magazine/9964/consumption-junction/#comments</comments>
		<pubDate>Thu, 16 Feb 2012 12:00:54 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Marxism]]></category>
		<category><![CDATA[Stan Lee]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9964</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/mag_amazingworld3-150x150.gif" alt="Consumption Junction" title="Consumption Junction" style="float:left;" />Human activity is not entirely reducible to processes of production and conservation, and consumption must be divided into two distinct parts. The first reducible part is represented by the use of the minimum necessary for&#8230; <a href="http://sequart.org/magazine/9964/consumption-junction/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Meeting with Bosses Old and New</title>
		<link>http://sequart.org/magazine/9846/meeting-with-bosses-old-and-new/</link>
		<comments>http://sequart.org/magazine/9846/meeting-with-bosses-old-and-new/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 12:00:22 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Chester Gould]]></category>
		<category><![CDATA[Dick Tracy]]></category>
		<category><![CDATA[Marshall Field]]></category>
		<category><![CDATA[Milton Caniff]]></category>
		<category><![CDATA[Steve Canyon]]></category>
		<category><![CDATA[Terry and the Pirates]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9846</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Steve-Canyon-150x150.jpg" alt="Meeting with Bosses Old and New" title="Meeting with Bosses Old and New" style="float:left;" />[Marshall] Field asked, “What do you want?” [Milton] Caniff didn’t even have to hesitate. “I told him full ownership [of Steve Canyon] and full editorial control.” – “Setting the Stage,” by Chris Jenson in Steve&#8230; <a href="http://sequart.org/magazine/9846/meeting-with-bosses-old-and-new/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The Power Ring and the Comic Book (Part 4)</title>
		<link>http://sequart.org/magazine/9945/the-power-ring-and-the-comic-book-part-4/</link>
		<comments>http://sequart.org/magazine/9945/the-power-ring-and-the-comic-book-part-4/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 12:00:53 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Green Lantern]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9945</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Sinestro_evil_rant-150x150.jpg" alt="The Power Ring and the Comic Book (Part 4)" title="The Power Ring and the Comic Book (Part 4)" style="float:left;" />In part 1 of this series I wrote: When DC Comics issued their refurbished versions of such characters as the Flash and Green Lantern, the heroes still fought assorted “done-in-one-story” menaces while the narratives remained&#8230; <a href="http://sequart.org/magazine/9945/the-power-ring-and-the-comic-book-part-4/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Power Ring and the Comic Book (Part 3)</title>
		<link>http://sequart.org/magazine/9212/the-power-ring-and-the-comic-book-part-3/</link>
		<comments>http://sequart.org/magazine/9212/the-power-ring-and-the-comic-book-part-3/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 12:00:26 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Green Lantern]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9212</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Green_Lantern_Vol_2_18-150x150.jpg" alt="The Power Ring and the Comic Book (Part 3)" title="The Power Ring and the Comic Book (Part 3)" style="float:left;" />Green Lantern #18 reads like something of a reprise of issue #11, with Sinestro once again playing mind-games on the hero and luring him to Qward as well.  This time, Hal Jordan begins to show&#8230; <a href="http://sequart.org/magazine/9212/the-power-ring-and-the-comic-book-part-3/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Power Ring and the Comic Book (Part 2)</title>
		<link>http://sequart.org/magazine/9178/the-power-ring-and-the-comic-book-part-2/</link>
		<comments>http://sequart.org/magazine/9178/the-power-ring-and-the-comic-book-part-2/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 12:00:55 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Green Lantern]]></category>
		<category><![CDATA[mythology]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9178</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Green_Lantern_Vol_2_9-150x150.jpg" alt="The Power Ring and the Comic Book (Part 2)" title="The Power Ring and the Comic Book (Part 2)" style="float:left;" />Green Lantern #3 makes the Weaponers of Qward the hero’s first repeat villains, as the extra-dimensional villains create an illusion to aid them in stealing Green Lantern’s power battery. The issue’s “B-story” is perhaps played&#8230; <a href="http://sequart.org/magazine/9178/the-power-ring-and-the-comic-book-part-2/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Power Ring and the Comic Book (Part 1)</title>
		<link>http://sequart.org/magazine/9053/the-power-ring-and-the-comic-book-part-1/</link>
		<comments>http://sequart.org/magazine/9053/the-power-ring-and-the-comic-book-part-1/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 12:00:46 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Green Lantern]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=9053</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Showcase_Vol_1_23-2-150x150.jpg" alt="The Power Ring and the Comic Book (Part 1)" title="The Power Ring and the Comic Book (Part 1)" style="float:left;" />Whenever a critic speaks of any popular work as possessing a “mythology”—a term often applied to serial, fictional narratives—the most common objection is that popular fiction is too “low”—as in, “created for the lowest common&#8230; <a href="http://sequart.org/magazine/9053/the-power-ring-and-the-comic-book-part-1/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Stan Lee, Presented (Part 3)</title>
		<link>http://sequart.org/magazine/8994/stan-lee-presented-part-3/</link>
		<comments>http://sequart.org/magazine/8994/stan-lee-presented-part-3/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 12:00:57 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[John Romita]]></category>
		<category><![CDATA[Stan Lee]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=8994</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/stan-lee-reading-150x150.jpg" alt="Stan Lee, Presented (Part 3)" title="Stan Lee, Presented (Part 3)" style="float:left;" />In Part 2 of this discussion of editor / writer Stan Lee’s contribution to the creative process in the era of Silver-Age Marvel Comics, I argued that Lee had done far more than just dialogue&#8230; <a href="http://sequart.org/magazine/8994/stan-lee-presented-part-3/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>O Captain? Not My Captain</title>
		<link>http://sequart.org/magazine/8501/o-captain-not-my-captain/</link>
		<comments>http://sequart.org/magazine/8501/o-captain-not-my-captain/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 12:00:30 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Captain America]]></category>
		<category><![CDATA[Captain America: The First Avenger]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=8501</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/captain-america-150x150.jpg" alt="O Captain? Not My Captain" title="O Captain? Not My Captain" style="float:left;" />Captain America: the First Avenger—henceforth abbreviated to Captain—is a fairly entertaining film that illustrates both the advantages and disadvantages of applying real-world verisimilitude to comic-book superheroes. It’s axiomatic that comic books, particularly in their mode&#8230; <a href="http://sequart.org/magazine/8501/o-captain-not-my-captain/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stan Lee, Presented (Part 2)</title>
		<link>http://sequart.org/magazine/7864/stan-lee-presented-part-2/</link>
		<comments>http://sequart.org/magazine/7864/stan-lee-presented-part-2/#comments</comments>
		<pubDate>Tue, 06 Dec 2011 12:00:42 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Stan Lee]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=7864</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/avengers3-150x150.jpg" alt="Stan Lee, Presented (Part 2)" title="Stan Lee, Presented (Part 2)" style="float:left;" />In the previous installment of “Stan Lee, Presented,” I argued that Stan Lee had functioned as a “truly creative editor” during his tenure as editor/writer at Marvel Comics.  I argued that the process by which&#8230; <a href="http://sequart.org/magazine/7864/stan-lee-presented-part-2/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stan Lee, Presented</title>
		<link>http://sequart.org/magazine/7639/stan-lee-presented/</link>
		<comments>http://sequart.org/magazine/7639/stan-lee-presented/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 12:00:40 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Jack Kirby]]></category>
		<category><![CDATA[Stan Lee]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=7639</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Stan_Lee-150x150.jpg" alt="Stan Lee, Presented" title="Stan Lee, Presented" style="float:left;" />“A creative producer is very involved with the writing, even though he does not do the screenplay and is not the author of the original material.  You work with the writer, you guide the writer,&#8230; <a href="http://sequart.org/magazine/7639/stan-lee-presented/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Growing of Adult Pulp</title>
		<link>http://sequart.org/magazine/6348/the-growing-of-adult-pulp/</link>
		<comments>http://sequart.org/magazine/6348/the-growing-of-adult-pulp/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 12:00:35 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=6348</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/thespiderjudgmentofthedamned-150x150.jpg" alt="The Growing of Adult Pulp" title="The Growing of Adult Pulp" style="float:left;" />In “The New 52 and the New Adult Pulp,” I asserted that DC’s new line followed the sensationalistic tradition of American pulp magazines, upon which most (though not all) early American comic books modeled their&#8230; <a href="http://sequart.org/magazine/6348/the-growing-of-adult-pulp/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The New 52 and the New Adult Pulp</title>
		<link>http://sequart.org/magazine/5690/the-new-52-and-the-new-adult-pulp/</link>
		<comments>http://sequart.org/magazine/5690/the-new-52-and-the-new-adult-pulp/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 12:00:31 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[2011 DC relaunch (the "New 52")]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=5690</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/catwoman1-150x150.png" alt="The New 52 and the New Adult Pulp" title="The New 52 and the New Adult Pulp" style="float:left;" />“Thriving on unconstrained creativity, held accountable to few standards of logic, believability or ‘good taste,’ the pulps were literary dream machines, offering regular entry to intensive worlds of excitement, danger, glory, romance.  Each brittle page&#8230; <a href="http://sequart.org/magazine/5690/the-new-52-and-the-new-adult-pulp/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>How to Level a Lumpy Playing Field</title>
		<link>http://sequart.org/magazine/6231/how-to-level-a-lumpy-playing-field/</link>
		<comments>http://sequart.org/magazine/6231/how-to-level-a-lumpy-playing-field/#comments</comments>
		<pubDate>Tue, 01 Nov 2011 11:00:45 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Krazy Kat]]></category>
		<category><![CDATA[Superman]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=6231</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/ACTION-COMICS-1-PAGE-13-150x150.jpg" alt="How to Level a Lumpy Playing Field" title="How to Level a Lumpy Playing Field" style="float:left;" />In The Linking Myth I stated that I thought that the Jungian approach to understanding the myths in all the stories humans tell proved superior to any linguistic analysis. Or, to put things in a&#8230; <a href="http://sequart.org/magazine/6231/how-to-level-a-lumpy-playing-field/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Why Thor Soared and the Lantern Failed</title>
		<link>http://sequart.org/magazine/6199/why-thor-soared-and-the-lantern-failed/</link>
		<comments>http://sequart.org/magazine/6199/why-thor-soared-and-the-lantern-failed/#comments</comments>
		<pubDate>Thu, 27 Oct 2011 11:00:12 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[DC movies]]></category>
		<category><![CDATA[Green Lantern]]></category>
		<category><![CDATA[Marvel movies]]></category>
		<category><![CDATA[Thor]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=6199</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Thor-Movie-pic-150x150.jpg" alt="Why Thor Soared and the Lantern Failed" title="Why Thor Soared and the Lantern Failed" style="float:left;" />Movie theaters in the summer of 2011, like most summers for the past 30-something years, were dominated by films heavy on crowd-pleasing elements, with particular attention to heavy FX content. Unlike many other summers, the&#8230; <a href="http://sequart.org/magazine/6199/why-thor-soared-and-the-lantern-failed/">[more]</a>]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Seeing through Spectacles</title>
		<link>http://sequart.org/magazine/4808/seeing-through-spectacles/</link>
		<comments>http://sequart.org/magazine/4808/seeing-through-spectacles/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 11:00:58 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Batman]]></category>
		<category><![CDATA[Flash]]></category>
		<category><![CDATA[Julian Darius]]></category>
		<category><![CDATA[Julius Schwartz]]></category>
		<category><![CDATA[Silver Age comics]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=4808</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Flash_133-150x150.jpg" alt="Seeing through Spectacles" title="Seeing through Spectacles" style="float:left;" />Julian Darius’s essay Hollow Spectacle cites a current DC comic for its overuse of meaningless spectacular scenes, such as a scene in the recent Justice League #1, in which Green Lantern uses his power ring&#8230; <a href="http://sequart.org/magazine/4808/seeing-through-spectacles/">[more]</a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Man of Steel, Woman of Legs</title>
		<link>http://sequart.org/magazine/5160/man-of-steel-woman-of-legs/</link>
		<comments>http://sequart.org/magazine/5160/man-of-steel-woman-of-legs/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 11:00:55 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=5160</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/batgirl-1-150x150.jpg" alt="Man of Steel, Woman of Legs" title="Man of Steel, Woman of Legs" style="float:left;" />Given how often Superman and Batman have been paired into dualisms ranging from “day and night” to “Apollo and Dionysus,” it’s surprising that in the second week of DC’s “new 52” they paired the Grant&#8230; <a href="http://sequart.org/magazine/5160/man-of-steel-woman-of-legs/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Clash of the Mythologies</title>
		<link>http://sequart.org/magazine/4734/clash-of-the-mythologies/</link>
		<comments>http://sequart.org/magazine/4734/clash-of-the-mythologies/#comments</comments>
		<pubDate>Thu, 15 Sep 2011 11:00:49 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[Chris Ware]]></category>
		<category><![CDATA[Grant Morrison]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=4734</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/WareSuperman-150x150.jpg" alt="Clash of the Mythologies" title="Clash of the Mythologies" style="float:left;" />I can appreciate someone like Chris Ware for his artistry, which I think is beautiful, but I think his attitude stinks, it just seems to be the attitude of somebody really privileged, and honestly, try&#8230; <a href="http://sequart.org/magazine/4734/clash-of-the-mythologies/">[more]</a>]]></description>
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		<slash:comments>11</slash:comments>
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		<title>The Linking Myth</title>
		<link>http://sequart.org/magazine/4161/the-linking-myth/</link>
		<comments>http://sequart.org/magazine/4161/the-linking-myth/#comments</comments>
		<pubDate>Tue, 23 Aug 2011 11:00:58 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=4161</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/Moby-Dick-150x150.jpg" alt="The Linking Myth" title="The Linking Myth" style="float:left;" />So why do I claim that “archetypal criticism” should be a principal (if not exclusive) means to understand the connections between mainstream and art comics?  Talk of “archetypes” implies the idea of mythology, whether cultural&#8230; <a href="http://sequart.org/magazine/4161/the-linking-myth/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Future of a Re-Fusion</title>
		<link>http://sequart.org/magazine/2892/the-future-of-a-re-fusion/</link>
		<comments>http://sequart.org/magazine/2892/the-future-of-a-re-fusion/#comments</comments>
		<pubDate>Tue, 02 Aug 2011 12:00:13 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[EC Comics]]></category>
		<category><![CDATA[Fantagraphics]]></category>
		<category><![CDATA[Gary Groth]]></category>
		<category><![CDATA[Robert Crumb]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=2892</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/HUP-1-e1311944640645-150x150.jpg" alt="The Future of a Re-Fusion" title="The Future of a Re-Fusion" style="float:left;" />Not long ago, I saw a post on the the Comics Beat by former Comics Journal contributor Robert Boyd remarking upon the virtual separation of the world of “mainstream comics” and “artcomics.”  Boyd didn’t comment&#8230; <a href="http://sequart.org/magazine/2892/the-future-of-a-re-fusion/">[more]</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Chief Concerns</title>
		<link>http://sequart.org/magazine/531/chief-concerns/</link>
		<comments>http://sequart.org/magazine/531/chief-concerns/#comments</comments>
		<pubDate>Thu, 20 Jan 2011 13:00:34 +0000</pubDate>
		<dc:creator>Gene Phillips</dc:creator>
				<category><![CDATA[Editorials]]></category>
		<category><![CDATA[continuity]]></category>
		<category><![CDATA[Doom Patrol]]></category>
		<category><![CDATA[Grant Morrison]]></category>

		<guid isPermaLink="false">http://sequart.org/?p=531</guid>
		<description><![CDATA[<img width="150" height="150" src="http://sequart.org/images/1-13-150x150.jpg" alt="Chief Concerns" title="Chief Concerns" style="float:left;" />Back in October 2010, Scipio of the Absorbascon wrote an impassioned salute to the character Niles Caulder (a.k.a. &#8220;The Chief&#8221;) of the 1960s comic Doom Patrol by Arnold Drake and Bruno Premiani. As a longtime&#8230; <a href="http://sequart.org/magazine/531/chief-concerns/">[more]</a>]]></description>
		<wfw:commentRss></wfw:commentRss>
		<slash:comments>0</slash:comments>
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